The pleasure in drawing (Record no. 31897)
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000 -LEADER | |
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fixed length control field | 03727nam a22004217a 4500 |
001 - CONTROL NUMBER | |
control field | sulb-eb0010606 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | BD-SySUS |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20160404144326.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 130405s2013 nyu o 00 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9780823250950 |
Canceled/invalid ISBN | 9780823250936 (hardback) |
Canceled/invalid ISBN | 9780823250943 (paperback) |
Canceled/invalid ISBN | 0823250938 |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | MdBmJHUP |
Transcribing agency | MdBmJHUP |
041 1# - LANGUAGE CODE | |
Language code of text/sound track or separate title | eng |
Language code of original | fre |
050 00 - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | NC17.F7 |
Item number | L96713 2013 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 741.01/17 |
Edition number | 23 |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Nancy, Jean-Luc. |
240 10 - UNIFORM TITLE | |
Uniform title | Plaisir au dessin. |
Language of a work | English |
245 14 - TITLE STATEMENT | |
Title | The pleasure in drawing |
Medium | [electronic resource] / |
Statement of responsibility, etc. | Jean-Luc Nancy ; translated by Philip Armstrong. |
250 ## - EDITION STATEMENT | |
Edition statement | First edition. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Place of publication, distribution, etc. | New York : |
Name of publisher, distributor, etc. | Fordham University Press, |
Date of publication, distribution, etc. | 2013. |
Place of manufacture | (Baltimore, Md. : |
Manufacturer | Project MUSE, |
Date of manufacture | 2015) |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 1 online resource (xiii, 116 pages ) |
500 ## - GENERAL NOTE | |
General note | Translation of: Plaisir au dessin. -- Paris : Hazan ; Lyon : Musee des beaux-arts de Lyon, c2007. -- 239 p. : ill. (some col.) ; 28 cm. |
504 ## - BIBLIOGRAPHY, ETC. NOTE | |
Bibliography, etc | Includes bibliographical references. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | "Originally written for an exhibition Jean-Luc Nancy curated at the Museum of Fine Arts in Lyon in 2007, this book addresses the medium of drawing in light of the question of form--of form in its formation, as a formative force, as a birth to form. In this sense, drawing opens less toward its achievement, intention, and accomplishment than toward a finality without end and the infinite renewal of ends, toward lines of sense marked by tracings, suspensions, and permanent interruptions"-- |
Assigning source | Provided by publisher. |
Summary, etc. | "Originally written for an exhibition Jean-Luc Nancy curated at the Museum of Fine Arts in Lyon in 2007, this book addresses the medium of drawing in light of the question of form--of form in its formation, as a formative force, as a birth to form. In this sense, drawing opens less toward its achievement, intention, and accomplishment than toward a finality without end and the infinite renewal of ends, toward lines of sense marked by tracings, suspensions, and permanent interruptions. Recalling that drawing and design were once used interchangeably, Nancy notes that "drawing" designates a design that remains without project, plan, or intention. His argument offers a way of rethinking a number of historical terms (sketch, draft, outline, plan, mark, notation), which includes rethinking drawing in its graphic, filmic, choreographic, poetic, melodic, and rhythmic sense. If drawing is not reducible to any form of closure, it never resolves a tension specific to drawing but allows the pleasure of drawing to come into appearance, which is also the pleasure in drawing, the gesture of a desire that remains in excess of all knowledge. Situating drawing in these terms, Nancy engages a number of texts in which Freud addresses the force of desire in the rapport between aesthetic and sexual pleasure, texts that also turn around the same questions concerning form in its formation, form as a formative force. Between the sections of the text, Nancy has placed a series of "sketchbooks" on drawing, composed of a broad range of quotations on art from different writers, artists, or philosophers"-- |
Assigning source | Provided by publisher. |
588 ## - SOURCE OF DESCRIPTION NOTE | |
Source of description note | Description based on print version record. |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | ART / Techniques / Drawing. |
Source of heading or term | bisacsh |
Topical term or geographic name as entry element | PHILOSOPHY / Aesthetics. |
Source of heading or term | bisacsh |
Topical term or geographic name as entry element | ART / Criticism & Theory. |
Source of heading or term | bisacsh |
Topical term or geographic name as entry element | Drawing |
General subdivision | Philosophy. |
655 #7 - INDEX TERM--GENRE/FORM | |
Genre/form data or focus term | Electronic books. |
Source of term | local |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Armstrong, Philip, |
Dates associated with a name | 1962- |
Relator term | translator. |
710 2# - ADDED ENTRY--CORPORATE NAME | |
Corporate name or jurisdiction name as entry element | Project Muse. |
856 40 - ELECTRONIC LOCATION AND ACCESS | |
Public note | Full text available: |
Uniform Resource Identifier | <a href="https://muse.jhu.edu/books/9780823250950/">https://muse.jhu.edu/books/9780823250950/</a> |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Source of classification or shelving scheme | |
Koha item type |
No items available.