DISCOnnections (Record no. 32001)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03764nam a22003857a 4500 |
| 001 - CONTROL NUMBER | |
| control field | sulb-eb0010710 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | BD-SySUS |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20160404144342.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 130418r20132012cm o 00 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789956728572 |
| Canceled/invalid ISBN | 9789956728510 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MdBmJHUP |
| Transcribing agency | MdBmJHUP |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | ML3503.S5 |
| Item number | S734 2012 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Stasik, Michael. |
| 245 00 - TITLE STATEMENT | |
| Title | DISCOnnections |
| Medium | [electronic resource] : |
| Remainder of title | popular music audiences in Freetown, Sierra Leone / |
| Statement of responsibility, etc. | Michael Stasik. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc. | Bamenda, Cameroon : |
| Name of publisher, distributor, etc. | Langaa Research and Publishing Common Iniative Group ; |
| Place of publication, distribution, etc. | Leiden, The Netherlands : |
| Name of publisher, distributor, etc. | African Studies Centre, |
| Date of publication, distribution, etc. | [2012] |
| Place of manufacture | (Baltimore, Md. : |
| Manufacturer | Project Muse, |
| Date of manufacture | 2013) |
| Place of manufacture | (Baltimore, Md. : |
| Manufacturer | Project MUSE, |
| Date of manufacture | 2015) |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (1 electronic text (xv, 237 p.) :) |
| Other physical details | col. ill., col. maps, digital file. |
| 500 ## - GENERAL NOTE | |
| General note | Issued as part of UPCC book collections on Project MUSE. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc | Includes bibliographical references (p. [229]-237). |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Acknowledgements -- 1. Introduction -- pt. I. The music/society nexus : some introductory reflections and observations -- 2. Introducing the city and its sounds -- 3. Music and society : a preliminary theoretical outline -- 4. Revisiting methods of socio-sonic inquiry -- pt. II. From class to mass : Freetown's music and society in historical perspective -- 5. Introduction -- 6. Early developments : the 19th century -- 7. Socio-musical approximations : 1900s to 1930s -- 8. The heydays of local popular music : 1940s to 1970s -- 9. Popular music in the time of decay : the 1980s and 1990s -- 10. Post-war boom and post-election decline -- 11. Conclusion : beyond the ephemerality of style -- pt. III. Disconnections : social dynamics in the spaces of music -- 12. Introduction -- 13. (Night)life at the edge of chaos -- 14. The seasonality of music -- 15. Building, binding and dividing -- 16. A topography of Freetown's social imaginary -- 17. The Politics of price, prestige and consumption -- 18. The king and his followers -- 19. Conclusion : dis/connections -- pt. IV. Topia of utopias -- 20. Dreams vs. reality -- References. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This book offers an intriguing account of the complex and often contradictory relations between music and society in Freetown's past and present. Blending anthropological thought with ethnographic and historical research, it explores the conjunctures of music practices and social affiliations and the diverse patterns of social dis/connections that music helps to shape, to (re)create, and to defy in Sierra Leone's capital Freetown. The first half of the book traces back the changing social relationships and the concurrent changes in the city's music life from the first days of the colony in the late 18th century up to the turbulent and thriving music scenes in the first decade of the 21st century. Grounded in this comprehensive historiography of Freetown's socio-musical palimpsest, the second half of the book puts forth a detailed ethnography of social dynamics in the realms of music, calibrating contemporary Freetown's social polyphony with its musical counterpart. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on print version record. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Music |
| General subdivision | Social aspects. |
| Topical term or geographic name as entry element | Discotheques |
| Geographic subdivision | Sierra Leone |
| -- | Freetown. |
| Topical term or geographic name as entry element | Popular music fans |
| Geographic subdivision | Sierra Leone |
| -- | Freetown. |
| Topical term or geographic name as entry element | Popular music |
| Geographic subdivision | Sierra Leone |
| -- | Freetown |
| General subdivision | History. |
| Topical term or geographic name as entry element | Popular music |
| Geographic subdivision | Sierra Leone |
| -- | Freetown. |
| 655 #0 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| Genre/form data or focus term | Electronic books. |
| Source of term | local |
| 710 2# - ADDED ENTRY--CORPORATE NAME | |
| Corporate name or jurisdiction name as entry element | Project Muse. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| International Standard Book Number | 9956728519 |
| -- | 9789956728510 |
| 710 2# - ADDED ENTRY--CORPORATE NAME | |
| Corporate name or jurisdiction name as entry element | Project Muse. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Public note | Full text available: |
| Uniform Resource Identifier | <a href="https://muse.jhu.edu/books/9789956728572/">https://muse.jhu.edu/books/9789956728572/</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | |
| Koha item type | |
No items available.