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Fernando Alonso (Record no. 32300)

MARC details
000 -LEADER
fixed length control field 02440nam a22003017a 4500
001 - CONTROL NUMBER
control field sulb-eb0011009
003 - CONTROL NUMBER IDENTIFIER
control field BD-SySUS
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20160404144441.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 120815s2013 flu o 00 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780813045009
Canceled/invalid ISBN 9780813044026 (alk. paper)
040 ## - CATALOGING SOURCE
Original cataloging agency MdBmJHUP
Transcribing agency MdBmJHUP
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number GV1785.A634
Item number S56 2013
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 792.802/8092
-- B
Edition number 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Singer, Toba.
245 10 - TITLE STATEMENT
Title Fernando Alonso
Medium [electronic resource] :
Remainder of title the father of Cuban ballet /
Statement of responsibility, etc. Toba Singer.
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc. Gainesville :
Name of publisher, distributor, etc. University Press of Florida,
Date of publication, distribution, etc. c2013.
Place of manufacture (Baltimore, Md. :
Manufacturer Project MUSE,
Date of manufacture 2015)
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (240 p.)
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Includes bibliographical references and index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Part I: Antes (before) -- 1. Always ask why -- 2. Pro-arte musical, Yavorsky, and New York -- 3. Alicia, Fernando, and Laura: giant steps across a changing landscape -- 4. Musicals, Mordkin, Balanchine, and the birth of ballet theatre -- 5. Repertoire, camaraderie, and an etoile -- 6. Challenges and pilgrimages -- 7. Autumn in New York, and a dawning in Havana -- 8. Ballet Theatre, a university of dance, and more . . . -- 9. Ballet Alicia Alonso -- 10. El maestro de maestros, the father of Cuban ballet -- 11. Crafting a curriculum, sculpting a style -- 12. Legends and lessons: Laura and Loipa -- 13. A revolutionary proposal -- 14. Batista's blackmail bid -- 15. The Soviet Union invites the Alonsos -- Part II: Despuis (after) -- 16. Cuban revolution triumphs and invests in ballet! -- 17. Constructing ballet schools, extending the revolution -- 18. International recognition abroad, at home, on film, and in print -- 19. Camagüey: the center of gravity shifts -- 20. Reverence -- Part III: Recuerdos (recollections) -- Introduction -- Aurora Bosch -- Carlos Acosta -- Azari Plisetsky -- Ramona de Sáa -- Lázaro Carreño and Yoel Carreño -- Tania Vergara -- Menia Martínez -- Rene de Cárdenas -- John White -- Lorena Feijóo and Lupe Calzadilla -- Jorge Esquivel -- Lorena Feijóo and Nelson Madrigal -- Donald Saddler -- Grettel Morejón.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on print version record.
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Alonso, Fernando,
Dates associated with a name 1914-
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Ballet dancers
Geographic subdivision Cuba
Form subdivision Biography.
655 #7 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
Source of term local
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element Project Muse.
856 40 - ELECTRONIC LOCATION AND ACCESS
Public note Full text available:
Uniform Resource Identifier <a href="https://muse.jhu.edu/books/9780813045009/">https://muse.jhu.edu/books/9780813045009/</a>
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme
Koha item type

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