Dimensions of originality (Record no. 34445)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03318nam a22003617a 4500 |
| 001 - CONTROL NUMBER | |
| control field | sulb-eb0013154 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | BD-SySUS |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20160404145031.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 130920r20132013cc o 00 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789629969141 |
| Canceled/invalid ISBN | 9789629964566 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MdBmJHUP |
| Transcribing agency | MdBmJHUP |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N7343.5 |
| Item number | .B874 2013 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Burnett, Katharine Persis, |
| Relator term | author. |
| 245 10 - TITLE STATEMENT | |
| Title | Dimensions of originality |
| Medium | [electronic resource] : |
| Remainder of title | essays on seventeenth-century Chinese art theory and criticism / |
| Statement of responsibility, etc. | Katharine P. Burnett. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc. | Baltimore, Maryland : |
| Name of publisher, distributor, etc. | Project Muse, |
| Date of publication, distribution, etc. | 2013. |
| Place of manufacture | (Baltimore, Md. : |
| Manufacturer | Project MUSE, |
| Date of manufacture | 2015) |
| Place of publication, distribution, etc. | Hong Kong [China] : |
| Name of publisher, distributor, etc. | Chinese University Press, |
| Date of publication, distribution, etc. | [2013] |
| Place of manufacture | (Baltimore, Md. : |
| Manufacturer | Project MUSE, |
| Date of manufacture | 2015) |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (1 PDF (xxx, 414 pages) :) |
| Other physical details | illustrations (some color). |
| 500 ## - GENERAL NOTE | |
| General note | Issued as part of UPCC book collections on Project MUSE. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc | Includes bibliographical references (pages 385-402) and index. |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Part I -- 1. some problems of expectation or speculations on why originality can't be a "traditional Chinese" value (when it is) -- Some problems of interpretation or discerning the flavors of a fine kettle of fish -- Part II. Ideas and words -- How ideas spread across China and among the classes -- The importance of a word : a discussion of critical terms -- Part III. What the theorists and critics had to say -- What the texts say : originality in pre-seventeenth-century art theory and criticism -- What the texts say : originality in seventeenth-century painting theory and criticism -- What the texts say : originality in seventeenth-century calligraphy theory and criticism -- Part IV. Images -- The other Dong Qichang -- What originality looks like : Wu Bin's On the way to Shanyin -- Part V. The legacy of a concept -- 10. The End of originality as the seventeenth century knew it -- Epilogue. A new canon : qi becomes the new zheng -- Appendix. Instances of the ise of qi, yi, and guai in sobriquet dictionaries -- Notes -- Bibliography -- Index. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Dimensions of Originality investigates the issue of conceptual originality in seventeenth-century art criticism, a period in which China dynamically reinvented itself. The term which was called upon to indicate conceptual originality more than any other was qi, literally, "different"; but secondarily, "odd," like a number and, by extension, "the novel" and "extraordinary." Burnett speculates on why many have dismissed originality as a "traditional Chinese" value, and the ramifications this has had on understanding. She further demonstrates that a study of key terms can reveal social and cultural values, and provides a linear history of the increase in use of qi as "originality" through the seventeenth centuries. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on print version record. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Art, Chinese |
| Chronological subdivision | Ming-Qing dynasties, 1368-1912. |
| Topical term or geographic name as entry element | Art criticism |
| Geographic subdivision | China |
| General subdivision | History |
| Chronological subdivision | 17th century. |
| 655 #0 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| Genre/form data or focus term | Electronic books. |
| Source of term | local |
| 710 2# - ADDED ENTRY--CORPORATE NAME | |
| Corporate name or jurisdiction name as entry element | Project Muse, |
| Relator term | distributor. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| International Standard Book Number | 9629964562 |
| -- | 9789629964566 |
| 710 2# - ADDED ENTRY--CORPORATE NAME | |
| Corporate name or jurisdiction name as entry element | Project Muse. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Public note | Full text available: |
| Uniform Resource Identifier | <a href="https://muse.jhu.edu/books/9789629969141/">https://muse.jhu.edu/books/9789629969141/</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | |
| Koha item type | |
No items available.