The Spectral Piano : (Record no. 37061)
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000 -LEADER | |
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fixed length control field | 02080nam a22002897a 4500 |
001 - CONTROL NUMBER | |
control field | sulb-eb0015217 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | BD-SySUS |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20160405134117.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 110518s2014||||enk o ||1 0|eng|d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781139088152 (ebook) |
Canceled/invalid ISBN | 9781107018549 (hardback) |
Canceled/invalid ISBN | 9781316616413 (paperback) |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | UkCbUP |
Language of cataloging | eng |
Description conventions | rda |
Transcribing agency | UkCbUP |
Modifying agency | BD-SySUS. |
050 00 - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | ML707 |
Item number | .N66 2014 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 786.209/04 |
Edition number | 23 |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Nonken, Marilyn, |
Relator term | author. |
245 14 - TITLE STATEMENT | |
Title | The Spectral Piano : |
Remainder of title | From Liszt, Scriabin, and Debussy to the Digital Age / |
Statement of responsibility, etc. | Marilyn Nonken. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | Cambridge : |
Name of producer, publisher, distributor, manufacturer | Cambridge University Press, |
Date of production, publication, distribution, manufacture, or copyright notice | 2014. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 1 online resource (210 pages) : |
Other physical details | digital, PDF file(s). |
490 0# - SERIES STATEMENT | |
Series statement | Music since 1900 |
500 ## - GENERAL NOTE | |
General note | Title from publisher's bibliographic system (viewed on 04 Apr 2016). |
520 ## - SUMMARY, ETC. | |
Summary, etc. | The most influential compositional movement of the past fifty years, spectralism was informed by digital technology but also extended the aesthetics of pianist-composers such as Franz Liszt, Alexander Scriabin and Claude Debussy. Students of Olivier Messiaen such as Tristan Murail and Gérard Grisey sought to create a cooperative committed to exploring the evolution of timbre in time as a basis for the musical experience. In The Spectral Piano, Marilyn Nonken shows how the spectral attitude was influenced by developments in technology but also continued a tradition of performative and compositional virtuosity. Nonken explores shared fascinations with the musical experience, which united spectralists with their Romantic and early Modern predecessors. Examining Murail's Territoires de l'oubli, Jonathan Harvey's Tombeau de Messiaen, Joshua Fineberg's Veils, and Edmund Campion's A Complete Wealth of Time, she reveals how spectral concerns relate not only to the past but also to contemporary developments in philosophical aesthetics. |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
Relationship information | Print version: |
International Standard Book Number | 9781107018549 |
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
Uniform title | Music since 1900. |
856 40 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="http://dx.doi.org/10.1017/CBO9781139088152">http://dx.doi.org/10.1017/CBO9781139088152</a> |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Source of classification or shelving scheme | |
Koha item type |
No items available.