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Transnational representations [electronic resource] : the state of Taiwan film in the 1960s and 1970s / James Wicks.

By: Contributor(s): Material type: TextTextSeries: UPCC book collections on Project MUSE | UPCC book collections on Project MUSEPublication details: Baltimore, Md. : Project Muse, 2014 2015); Hong Kong [China] : Hong Kong University Press, [2014] 2015)Description: 1 online resource (1 PDF (167 pages) :) illustrationsISBN:
  • 9789888313204
Subject(s): Genre/Form: Additional physical formats: Print version:: No titleDDC classification:
  • 791.430951249 23
LOC classification:
  • PN1993.5.T28 W538 2014
Online resources:
Contents:
Acknowledgments -- Introduction -- 1. Framing Taiwan cinema : perspectives on history in Hou Hsiao-hsien's Three times -- Two stage brothers : tracing a common heritage in Xie Jin and Li Xing's early 1960s films -- Projecting a state that does not exist : the politics of migration in Bai Jingrui's 1970 film Home sweet home -- Gender negotiation in Song Cunshou's Story of mother and Taiwan cinema of the early 1970s -- Conclusion : transnationalism and the structure of feeling of Taiwan cinema in the late 1970s.
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Issued as part of UPCC book collections on Project MUSE.

Includes bibliographical references (pages [149]-160) and index.

Acknowledgments -- Introduction -- 1. Framing Taiwan cinema : perspectives on history in Hou Hsiao-hsien's Three times -- Two stage brothers : tracing a common heritage in Xie Jin and Li Xing's early 1960s films -- Projecting a state that does not exist : the politics of migration in Bai Jingrui's 1970 film Home sweet home -- Gender negotiation in Song Cunshou's Story of mother and Taiwan cinema of the early 1970s -- Conclusion : transnationalism and the structure of feeling of Taiwan cinema in the late 1970s.

Description based on print version record.

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