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Imagic moments [electronic resource] : indigenous North American film / Lee Schweninger.

By: Contributor(s): Material type: TextTextPublication details: Athens : The University of Georgia Press, 2013. 2015)Description: 1 online resource (xv, 247 pages :) illustrationsISBN:
  • 9780820345765
  • 0820345768
Subject(s): Genre/Form: DDC classification:
  • 791.43/652997 23
LOC classification:
  • PN1995.9.I48 S44 2013
Online resources:
Contents:
Introduction: where to concentrate -- He was still the chief: Masayesva's imagining Indians -- Into the city: ordered freedom in The exiles -- The native presence in film: House made of dawn -- A concordance of narrative voices: Harold, trickster, and Harold of Orange -- I don't do portraits: Medicine River and the art of photography -- Keep your pony out of my garden: Powwow highway and "being Cheyenne" -- Feeling extra magical: the art of disappearing in Smoke signals -- Making his own music: death and life in The business of fancydancing -- Sharing the kitchen: Naturally native and women in American Indian film -- In the form of a spider: the interplay of narrative fiction and documentary in Skins -- The stories pour out: taking control in The doe boy -- Telling our own stories: seeking identity in Tkaronto -- People come around in circles: Harjo's Four sheets to the wind -- Epilogue: Barking water and beyond.
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Includes filmography.

Includes bibliographical references and index.

Introduction: where to concentrate -- He was still the chief: Masayesva's imagining Indians -- Into the city: ordered freedom in The exiles -- The native presence in film: House made of dawn -- A concordance of narrative voices: Harold, trickster, and Harold of Orange -- I don't do portraits: Medicine River and the art of photography -- Keep your pony out of my garden: Powwow highway and "being Cheyenne" -- Feeling extra magical: the art of disappearing in Smoke signals -- Making his own music: death and life in The business of fancydancing -- Sharing the kitchen: Naturally native and women in American Indian film -- In the form of a spider: the interplay of narrative fiction and documentary in Skins -- The stories pour out: taking control in The doe boy -- Telling our own stories: seeking identity in Tkaronto -- People come around in circles: Harjo's Four sheets to the wind -- Epilogue: Barking water and beyond.

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