Sacral grooves [electronic resource] : travels in deep Southern time, Circum-Caribbean space, Afro-Creole authority / Keith Cartwright.

Issued as part of UPCC book collections on Project MUSE.

Includes bibliographical references and index.

Includes bibliographical references and index.

Invocation : to bust your shell -- Introduction : reborn again : orphan initiations, motherless lands -- Part One. The ancestral house -- Down to the mire : travels, shouts & Saraka in Atlantic praise-housings -- Lift every voice and swing : James Weldon Johnson's God-met places and native lands -- Part Two. Les invisibles -- Fe Chauffe, Balanse, Swing : Saint Domingue refugees in the Govi of New Orleans -- Making faces at the sublime : momentum from within Creole City -- Part Three. Sangre y Monte -- "Come and gaze on a mystery" : Zora Neale Hurston's rain-bringing authority -- "Vamanos pa'l Monte" : into Florida's repeating bush -- Envoi : white women have never known what to do with their blood : gulf carriers and sanguine knowledge.

"We're seeing people that we didn't know exist," the director of FEMA acknowledged in the wake of Hurricane Katrina. Sacral Grooves, Limbo Gateways offers a corrective to some of America's institutionalized invisibilities by delving into the submerged networks of ritual performance, writing, intercultural history, and migration that have linked the coastal U.S. South with the Caribbean and the wider Atlantic world. This interdisciplinary study slips beneath the bar of rigid national and literary periods, embarking upon deeper--more rhythmic and embodied--signatures of time. It swings low through ecologies and symbolic orders of creolized space. And it reappraises pluralistic modes of knowledge, kinship, and authority that have sustained vital forms of agency (such as jazz) amid abysses of racialized trauma. Drawing from Haitian Vodou and New Orleanian Voudou and from Cuban and South Floridian Santería, as well as from Afro-Baptist (Caribbean, Geechee, and Bahamian) models of encounters with otherness, this book reemplaces deep-southern texts within the counterclockwise ring-stepping of a long Afro-Atlantic modernity. Turning to an orphan girl's West African initiation tale to follow a remarkably traveled body of feminine rites and writing (in works by Paule Marshall, Zora Neale Hurston, Lydia Cabrera, William Faulkner, James Weldon Johnson, and LeAnne Howe, among others), Cartwright argues that only in holistic form, emergent from gulfs of cross-cultural witness, can literary and humanistic authority find legitimacy. Without such grounding, he contends, our educational institutions blind and even poison students, bringing them to "swallow lye," like the grandson of Phoenix Jackson in Eudora Welty's "A Worn Path." Here, literary study may open pathways to alternative medicines--fetched by tenacious avatars like Phoenix (or an orphan Kumba or a shell-shaking Turtle)--to remedy the lies our partial histories have made us swallow.

Description based on print version record.