TY  - BOOK
AU  - Preiss,Richard
TI  - Clowning and Authorship in Early Modern Theatre
SN  - 9781139567794 (ebook)
AV  - PR658.F7 P75 2014
U1  - 822/.309353 23
PY  - 2014///
CY  - Cambridge
PB  - Cambridge University Press
KW  - Fools and jesters in literature
KW  - Clowns in literature
N1  - Title from publisher's bibliographic system (viewed on 04 Apr 2016)
N2  - To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomized a theatre that was heterogeneous, improvised, participatory, and irreducible to dramatic texts. How, then, did those texts emerge? Why did playgoers buy books that deleted not only the clown, but them as well? Challenging the narrative that clowns were 'banished' by playwrights like Shakespeare and Jonson, Richard Preiss argues that clowns such as Richard Tarlton, Will Kemp, and Robert Armin actually made playwrights possible - bridging, through the publication of their routines, the experience of 'live' and scripted performance. Clowning and Authorship tells the story of how, as the clown's presence decayed into print, he bequeathed the new categories around which theatre would organize: the author, and the actor
UR  - http://dx.doi.org/10.1017/CBO9781139567794
ER  -