Postmodernism, traditional cultural forms, and African American narratives [electronic resource] / W. Lawrence Hogue.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- 9781438448367
- 810.9/9286/08996073 23
- PS153.N5 H63 2013
Includes bibliographical references.
Postmodernism, traditional cultural forms, and African American subjectivity -- Multiple representations of Philadelphia and John Edgar Wideman's Philadelphia fire -- The trickster, African American virtual subject and Percival Everett's erasure -- Using jazz music and aesthetics to re-describe the African American in Toni Morrison's jazz -- Revolting to sustain psychic life: Bonnie Greer's hanging by her teeth and the encounter with the other -- Virtual-actual reality and Clarence Major's reflex and bone structure -- The Jungian/African collective unconscious, jazz aesthetics, and Xam Cartier's Muse-echo blues -- Conclusion.
Description based on print version record.
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