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The phantom Holocaust [electronic resource] : Soviet cinema and Jewish catastrophe / Olga Gershenson.

By: Contributor(s): Material type: TextTextSeries: Jewish cultures of the worldPublication details: London : Rutgers University Press, [2013] 2015)Description: 1 online resource (x, 275 pages :) illustrationsISBN:
  • 9780813561820
  • 0813561825
Subject(s): Genre/Form: DDC classification:
  • 791.43/658405318 23
LOC classification:
  • PN1995.9.H53 G44 2013
Online resources:
Contents:
Screening the Holocaust in the Soviet Union: Jews without the Holocaust and the Holocaust without the Jews -- Soviet antifascist films of the 1930s: The earliest images of Nazi anti-semitism and concentration camps on world screens -- The first phantom: I will live! (1942) -- How a Soviet novel turned into Jewish film: The first depiction of the Holocaust on Soviet screens, The unvanquished (1945) -- The Holocaust on the thawing screen: From The fate of a man (1959) to Ordinary fascism (1965) -- The Holocaust at the Lithuanian Film Studio: Gott mit uns (1961) -- The Holocaust without the Jews: Steps in the night (1962) and other films -- Kalik versus Goskino: Goodbye, boys! (1964/66) -- Stalemate (1965) between the filmmaker and the censors -- Kalik's last phantom: King Matt and the old doctor -- The film that cost a career: Eastern corridor (1966) -- Muslims instead of Musslmans: Sons of the fatherland (1968) -- Commissar (1967/1988): The end of the thaw -- An alternative track: Jewish soldiers fighting on Soviet screens -- The last phantom--the first film: Our father (1966/1990) -- Perestroika and beyond: Old wine in new bottles? -- Conclusions.
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Includes bibliographical references (pages 231-267) and index.

Screening the Holocaust in the Soviet Union: Jews without the Holocaust and the Holocaust without the Jews -- Soviet antifascist films of the 1930s: The earliest images of Nazi anti-semitism and concentration camps on world screens -- The first phantom: I will live! (1942) -- How a Soviet novel turned into Jewish film: The first depiction of the Holocaust on Soviet screens, The unvanquished (1945) -- The Holocaust on the thawing screen: From The fate of a man (1959) to Ordinary fascism (1965) -- The Holocaust at the Lithuanian Film Studio: Gott mit uns (1961) -- The Holocaust without the Jews: Steps in the night (1962) and other films -- Kalik versus Goskino: Goodbye, boys! (1964/66) -- Stalemate (1965) between the filmmaker and the censors -- Kalik's last phantom: King Matt and the old doctor -- The film that cost a career: Eastern corridor (1966) -- Muslims instead of Musslmans: Sons of the fatherland (1968) -- Commissar (1967/1988): The end of the thaw -- An alternative track: Jewish soldiers fighting on Soviet screens -- The last phantom--the first film: Our father (1966/1990) -- Perestroika and beyond: Old wine in new bottles? -- Conclusions.

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