000 | 01940nam a22003737a 4500 | ||
---|---|---|---|
001 | sulb-eb0007557 | ||
003 | BD-SySUS | ||
005 | 20160404120441.0 | ||
008 | 130220s2013 nju o 00 0 eng d | ||
020 | _a9780813562513 | ||
020 | _a0813562511 | ||
020 | _z9780813562506 (hardcover : alk. paper) | ||
020 | _z9780813562490 (pbk. : alk. paper) | ||
040 |
_aMdBmJHUP _cMdBmJHUP _dBD-SySUS. |
||
050 | 0 | 0 |
_aPS153.N5 _bL68 2013 |
082 | 0 | 0 |
_a810.9/896073 _223 |
100 | 1 |
_aLordi, Emily J., _d1979- |
|
245 | 1 | 0 |
_aBlack resonance _h[electronic resource] : _biconic women singers and African American literature / _cEmily J. Lordi. |
260 |
_aNew Brunswick, New Jersey : _bRutgers University Press, _c2013. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
||
300 | _a1 online resource (pages cm.) | ||
490 | 0 | _aAmerican Literatures Initiative | |
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aIntroduction: Black resonance -- Vivid lyricism: Richard Wright and Bessie Smith's blues -- The timbre of sincerity: Mahalia Jackson's gospel sound and Ralph Ellison's Invisible Man -- Understatement: James Baldwin, Bessie Smith, and Billie Holiday -- Haunting: Gayl Jones's Corregidora and Billie Holiday's "strange Fruit" -- Signature voices: Nikki Giovanni, Aretha Franklin, and the Black Arts movement -- Epilogue: "At Last": Etta James, poetry, hip hop. | |
588 | _aDescription based on print version record. | ||
650 | 0 | _aMusic in literature. | |
650 | 0 | _aAfrican American women in literature. | |
650 | 0 |
_aAfrican American women singers _xIn literature. |
|
650 | 0 |
_aAmerican fiction _xAfrican American authors _xHistory and criticism. |
|
655 | 7 |
_aElectronic books. _2local |
|
710 | 2 | _aProject Muse. | |
830 | 0 | _aUPCC book collections on Project MUSE. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9780813562513/ |
942 |
_2Dewey Decimal Classification _ceBooks |
||
999 |
_c28831 _d28831 |