000 | 02043nam a22003497a 4500 | ||
---|---|---|---|
001 | sulb-eb0007628 | ||
003 | BD-SySUS | ||
005 | 20160404120446.0 | ||
008 | 130107s2013 nyu o 00 0 eng d | ||
020 | _a9781438448367 | ||
020 | _z9781438448350 (hardcover : alk. paper) | ||
020 | _z9781438448343 (pbk. : alk. paper) | ||
040 |
_aMdBmJHUP _cMdBmJHUP _dBD-SySUS. |
||
050 | 0 | 0 |
_aPS153.N5 _bH63 2013 |
082 | 0 | 0 |
_a810.9/9286/08996073 _223 |
100 | 1 |
_aHogue, W. Lawrence, _d1951- |
|
245 | 1 | 0 |
_aPostmodernism, traditional cultural forms, and African American narratives _h[electronic resource] / _cW. Lawrence Hogue. |
260 |
_aAlbany : _bState University of New York Press, _c[2013] _e(Baltimore, Md. : _fProject MUSE, _g2015) |
||
300 | _a1 online resource (pages cm) | ||
504 | _aIncludes bibliographical references. | ||
505 | 0 | _aPostmodernism, traditional cultural forms, and African American subjectivity -- Multiple representations of Philadelphia and John Edgar Wideman's Philadelphia fire -- The trickster, African American virtual subject and Percival Everett's erasure -- Using jazz music and aesthetics to re-describe the African American in Toni Morrison's jazz -- Revolting to sustain psychic life: Bonnie Greer's hanging by her teeth and the encounter with the other -- Virtual-actual reality and Clarence Major's reflex and bone structure -- The Jungian/African collective unconscious, jazz aesthetics, and Xam Cartier's Muse-echo blues -- Conclusion. | |
588 | _aDescription based on print version record. | ||
650 | 0 |
_aPostmodernism (Literature) _zUnited States. |
|
650 | 0 |
_aAfrican Americans _xIntellectual life. |
|
650 | 0 | _aSubjectivity in literature. | |
650 | 0 |
_aAmerican literature _xAfrican American authors _xHistory and criticism. |
|
655 | 7 |
_aElectronic books. _2local |
|
710 | 2 | _aProject Muse. | |
830 | 0 | _aUPCC book collections on Project MUSE. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9781438448367/ |
942 |
_2Dewey Decimal Classification _ceBooks |
||
999 |
_c28902 _d28902 |