000 | 02013nam a22003137a 4500 | ||
---|---|---|---|
001 | sulb-eb0009760 | ||
003 | BD-SySUS | ||
005 | 20160404120822.0 | ||
008 | 140425s2014 ilu o 00 0 eng d | ||
020 | _a9780252096518 | ||
020 | _a0252096517 | ||
020 | _z9780252038594 (cloth : alk. paper) | ||
020 | _z9780252080180 (pbk. : alk. paper) | ||
040 |
_aMdBmJHUP _cMdBmJHUP _dBD-SySUS. |
||
050 | 0 | 0 |
_aPN1995.9.F54 _bK58 2014 |
245 | 0 | 0 |
_aKiss the blood off my hands _h[electronic resource] : _bon classic film noir / _cedited by Robert Miklitsch. |
260 |
_aUrbana : _bUniversity of Illinois Press, _c2014. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
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300 | _a1 online resource (296 p.) | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aIntroduction -- Independence unpunished: the female detective in classic film noir / Philippa Gates -- Women and film noir: Pulp fiction and the woman's picture / Julie Grossman -- The vanishing love song in film noir / Krin Gabbard -- Radio, film noir, and the aesthetics of auditory spectacle / Neil Verma -- Disney noir: "just drawn that way" / J. P. Telotte -- Detour: driving in a back projection, or forestalled by film noir / Vivian Sobchack -- Producing noir: Wald, Scott, Hellinger / Andrew Spicer -- Refuge England: blacklisted American directors and '50s British noir / Robert Murphy -- A little larceny: labor, leisure, and loyalty in the '50s noir heist film / Mark Osteen -- Periodizing classic noir: from Stranger on the third floor to the "thrillers of tomorrow" / Robert Miklitsch. | |
588 | _aDescription based on print version record. | ||
650 | 0 |
_aFilm noir _xHistory and criticism. |
|
655 | 7 |
_aElectronic books. _2local |
|
700 | 1 |
_aMiklitsch, Robert, _d1953- _eeditor of compilation. |
|
710 | 2 | _aProject Muse. | |
830 | 0 | _aUPCC book collections on Project MUSE. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9780252096518/ |
942 |
_2Dewey Decimal Classification _ceBooks |
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999 |
_c31034 _d31034 |