000 | 01848nam a22003857a 4500 | ||
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001 | sulb-eb0009797 | ||
003 | BD-SySUS | ||
005 | 20160404120826.0 | ||
008 | 140508s2014 mdu o 00 0 eng d | ||
020 | _a9781421415246 | ||
020 | _a1421415240 | ||
020 | _z9781421415239 (hardcover : acid-free paper) | ||
020 | _z1421415232 (hardcover : acid-free paper) | ||
040 |
_aMdBmJHUP _cMdBmJHUP _dBD-SySUS. |
||
050 | 0 | 0 |
_aPN56.M54 _bE67 2014 |
082 | 0 | 0 |
_a809/.9112 _223 |
100 | 1 |
_aEpstein, Josh, _d1981- |
|
245 | 1 | 0 |
_aSublime noise _h[electronic resource] : _bmusical culture and the modernist writer / _cJosh Epstein. |
260 |
_aBaltimore : _bJohns Hopkins University Press, _c2014. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
||
300 | _a1 online resource (pages cm.) | ||
490 | 0 | _aHopkins study in modernism | |
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aOrchestrating modernity: musical culture and the arts of noise -- Beating obedient, thinking of the key: Adorno, The Waste Land, and the total wrk of art -- The Antheil era: Ezra Pound's musical sensations -- Joyce's phoneygraphs: Antheil, Wagner, and the noise in the chamber -- Performing publicity: authenticity, influence, and the sitwellian commedia -- Aristocracy of the dissonant: the sublime noise of Forster and Britten. | |
588 | _aDescription based on print version record. | ||
650 | 0 |
_aMusic _xPhilosophy and aesthetics. |
|
650 | 0 | _aMusic and literature. | |
650 | 0 | _aNoise in literature. | |
650 | 0 | _aModernism (Music) | |
650 | 0 | _aModernism (Literature) | |
655 | 7 |
_aElectronic books. _2local |
|
710 | 2 | _aProject Muse. | |
830 | 0 | _aUPCC book collections on Project MUSE. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9781421415246/ |
942 |
_2Dewey Decimal Classification _ceBooks |
||
999 |
_c31071 _d31071 |