000			01639nam a22003497a 4500
001			sulb-eb0010401
003			BD-SySUS
005			20160404144251.0
008			120430s2012 nhu o 00 0 eng d
020			_a9781611683363
020			_a161168336X
020			_z9781611683349 (cloth : alk. paper)
020			_z9781611683356 (pbk. : alk. paper)
020			_z1611683343
040			_aMdBmJHUP _cMdBmJHUP
050	0	0	_aNX456.5.P38 _bW37 2012
082	0	0	_a709.04/0755 _223
100	1		_aWard, Frazer.
245	1	0	_aNo innocent bystanders _h[electronic resource] : _bperformance art and audience / _cFrazer Ward.
260			_aNew Hampshire : _bDartmouth College Press, _c2012. _e(Baltimore, Md. : _fProject MUSE, _g2015)
300			_a1 online resource (224 p.)
490	0		_aInterfaces: studies in visual culture
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction: reimagining the audience -- Performance after minimalism: fantasies of public and private -- Acconci: "Public space is wishful thinking" -- Burden: "I'd set it up by telling a bunch of people, and that would make it -- Happen" -- Abramovi?: "You can stop. you don't have to do this." -- Hsieh: "For me, the audience is secondary. however, without them my performances couldn't exist".
588			_aDescription based on print version record.
650		0	_aPerforming arts _xAudiences.
650		0	_aPerformance art.
655		7	_aElectronic books. _2local
710	2		_aProject Muse.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/books/9781611683363/
942			_2Dewey Decimal Classification _ceBooks
999			_c31692 _d31692