000			03145nam a22003977a 4500
001			sulb-eb0010417
003			BD-SySUS
005			20160404144254.0
008			120627s2013 neu o 00 0 eng d
020			_a9780803244856
020			_a0803244851
020			_z9780803240100 (pbk.)
040			_aMdBmJHUP _cMdBmJHUP
050	0	0	_aPN4969 _b.G66 2012
082	0	0	_a070.4/30972 _223
100	1		_aGonzález de Bustamante, Celeste, _d1965-
245	1	1	_a"Muy buenas noches" _h[electronic resource] : _bMexico, television, and the Cold War / _cCeleste González de Bustamante ; foreword by Richard Cole.
260			_aLincoln : _bUniversity of Nebraska Press, _c2013. _e(Baltimore, Md. : _fProject MUSE, _g2015)
300			_a1 online resource (352 p.)
490	0		_aThe Mexican experience
504			_aIncludes bibliographical references and index.
520			_a"A study of the relationship between television journalism and Mexico's PRI during the Cold War"-- _cProvided by publisher.
520			_a"By the end of the twentieth century, Mexican multimedia conglomerate Televisa stood as one of the most powerful media companies in the world. Most scholars have concluded that the company's success was owed in large part to its executives who walked in lockstep with the government and the Partido Revolucionario Institucional (PRI), which ruled for seventy-one years. At the same time, government decisions regulating communications infrastructure aided the development of the television industry. In one of the first books to be published in English on Mexican television, Celeste Gonzalez de Bustamante argues that despite the cozy relationship between media moguls and the PRI, these connections should not be viewed as static and without friction. Through an examination of early television news programs, this book reveals the tensions that existed between what the PRI and government officials wanted to be reported and what was actually reported and how. Further, despite the increasing influence of television on society, viewers did not always accept or agree with what they saw on the air. Television news programming played an integral role in creating a sense of lo mexicano (that which is Mexican) at a time of tremendous political, social, and cultural change. At its core the book grapples with questions about the limits of cultural hegemony at the height of the PRI and the cold war. "-- _cProvided by publisher.
588			_aDescription based on print version record.
650		7	_aLANGUAGE ARTS & DISCIPLINES / Journalism. _2bisacsh
650		7	_aPERFORMING ARTS / Television / History & Criticism. _2bisacsh
650		7	_aHISTORY / Latin America / Mexico. _2bisacsh
650		0	_aCold War _xInfluence.
650		0	_aTelevision broadcasting of news _zMexico _xHistory _y20th century.
651		0	_aMexico _xHistory _y20th century.
610	2	0	_aPartido Revolucionario Institucional _xHistory _y20th century.
655		7	_aElectronic books. _2local
710	2		_aProject Muse.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/books/9780803244856/
942			_2Dewey Decimal Classification _ceBooks
999			_c31708 _d31708