| 000 | 01614nam a22003137a 4500 | ||
|---|---|---|---|
| 001 | sulb-eb0010523 | ||
| 003 | BD-SySUS | ||
| 005 | 20160404144313.0 | ||
| 008 | 120709s2013 inu o 00 0 eng d | ||
| 020 | _a9780253007001 | ||
| 020 | _z9780253006882 (cloth : alk. paper) | ||
| 020 | _z9780253006929 (pbk. : alk. paper) | ||
| 040 |
_aMdBmJHUP _cMdBmJHUP |
||
| 050 | 0 | 0 |
_aPN1993.5.U6 _bR495 2012 |
| 082 | 0 | 0 |
_a791.430973 _223 |
| 100 | 1 |
_aRichards, Rashna Wadia, _d1977- |
|
| 245 | 1 | 0 |
_aCinematic flashes _h[electronic resource] : _bcinephilia and classical Hollywood / _cRashna Wadia Richards. |
| 260 |
_aBloomington : _bIndiana University Press, _c2013. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
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| 300 | _a1 online resource (280 p.) | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aIntroduction: inventing cinephiliac historiography -- Sonic booms: 1929 and the sensational transition to sound -- Show stoppers: 1937 and the chance encounter with chiffons -- Signature crimes: 1946 and the strange case of the lost scene (as well as the stranger case of the missing auteur) -- Apocalyptic antennae: 1954 and the end of storytelling -- Conclusion: the cinephiliac return. | |
| 588 | _aDescription based on print version record. | ||
| 650 | 0 |
_aMotion pictures _zUnited States _xHistory _y20th century. |
|
| 651 | 0 |
_aHollywood (Los Angeles, Calif.) _xHistory _y20th century. |
|
| 655 | 7 |
_aElectronic books. _2local |
|
| 710 | 2 | _aProject Muse. | |
| 856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9780253007001/ |
| 942 |
_2Dewey Decimal Classification _ceBooks |
||
| 999 |
_c31814 _d31814 |
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