000			01990nam a22003137a 4500
001			sulb-eb0010923
003			BD-SySUS
005			20160404144425.0
008			120816s2013 miu o 00 0 eng d
020			_a9780472028917
020			_z9780472071791 (cloth : alk. paper)
020			_z9780472051793 (pbk. : alk. paper)
040			_aMdBmJHUP _cMdBmJHUP
050	0	0	_aML3918.P67 _bR69 2013
082	0	0	_a781.640973 _223
100	1		_aRoyster, Francesca T.
245	1	0	_aSounding like a no-no? _h[electronic resource] : _bqueer sounds and eccentric acts in the post-soul era / _cFrancesca T. Royster.
260			_aAnn Arbor : _bUniversity of Michigan Press, _c2013. _e(Baltimore, Md. : _fProject MUSE, _g2015)
300			_a1 online resource (272 p.)
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction : Eccentric performance and embodied music in the post-soul moment -- Becoming post-soul : Eartha Kitt, the Stranger, and the melancholy pleasures of racial reinvention -- Stevie Wonder's "Quare" teachings and cross-species collaboration in Journey through the secret life of plants and other songs -- "Here's a chance to dance our way out of our constrictions" : P-Funk's black masculinity and the performance of imaginative freedom -- Michael Jackson, queer world making, and the trans erotics of voice, gender, and age -- "Feeling like a woman, looking like a man, sounding like a no-no" : Grace Jones and the performance of "Strang" in the post-soul moment -- Funking toward the future in Meshell Ndegeocello's The world has made me the man of my dreams -- Epilogue : Janelle Mon e's collective vision.
588			_aDescription based on print version record.
650		0	_aSoul music.
650		0	_aPopular music _xSocial aspects.
655		7	_aElectronic books. _2local
710	2		_aProject Muse.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/books/9780472028917/
942			_2Dewey Decimal Classification _ceBooks
999			_c32214 _d32214