000			01969nam a22002897a 4500
001			sulb-eb0011305
003			BD-SySUS
005			20160404144534.0
008			121105s2013 lau o 00 0 eng d
020			_a9780807150672
020			_z9780807150665 (cloth : alk. paper)
040			_aMdBmJHUP _cMdBmJHUP
050	0	0	_aPS3531.E933 _bZ63 2013
082	0	0	_a813/.54 _223
100	1		_aClark, Keith, _d1963-
245	1	4	_aThe radical fiction of Ann Petry _h[electronic resource] / _cKeith Clark.
260			_aBaton Rouge : _bLouisiana State University Press, _c[2013] _e(Baltimore, Md. : _fProject MUSE, _g2015)
300			_a1 online resource (xi, 257 pages )
504			_aIncludes bibliographical references (pages 213-245) and index.
505	0		_aThe "literary bones" of Ann Petry: excavating and re-situating a reluctant icon -- From gangsta to gothic: ann petry's unbounded aesthetic universe -- Black boys, hoods, and wannabes: images of imperiled Black manhood in the narrows -- Masculine angst revisited: the anguished Black men of "Like a winding sheet," "Has anybody seen Miss Dora Dean?" and "Miss Muriel" -- "Oppositional gothic": the street and Ann Petry's place in the literature of terror -- Haunting/haunted b(l)ack: tormented and tormenting souls in "The bones of Louella Brown" and "The witness" -- "Entombed while still alive": images of domestic terror and monstrousness in country place -- "A queer mixture of violence and love and hate and terror": (wannabe) gangsta, gothic, and grotesquerie in "In darkness and confusion" -- Conclusion: from the 1960s to the 2000s and beyond: Ann Petry's prescient vision.
588			_aDescription based on print version record.
600	1	0	_aPetry, Ann, _d1908-1997 _xCriticism and interpretation.
655		7	_aElectronic books. _2local
710	2		_aProject Muse.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/books/9780807150672/
942			_2Dewey Decimal Classification _ceBooks
999			_c32596 _d32596