000			01942nam a22003377a 4500
001			sulb-eb0011484
003			BD-SySUS
005			20160404144609.0
008			130326s2013 miu o 00 0 eng d
020			_a9780814339664
020			_z9780814339657 (pbk. : alk. paper)
040			_aMdBmJHUP _cMdBmJHUP
050	0	0	_aPN1995.9.C55 _bB345 2013
082	0	0	_a791.43/617/0973 _223
100	1		_aBalcerzak, Scott.
245	1	0	_aBuffoon men _h[electronic resource] : _bclassic Hollywood comedians and queered masculinity / _cScott Balcerzak.
260			_aDetroit, Michigan : _bWayne State University Press, _c[2013] _e(Baltimore, Md. : _fProject MUSE, _g2015)
300			_a1 online resource (x, 258 pages :) _billustrations ;
490	0		_aContemporary approaches to film and media series
504			_aIncludes bibliographical references (pages 237-248) and index.
505	0		_aIntroduction: "Someone like me for a member": classic Hollywood comedians and buffoonish masculinity -- "Novelties and notions": Mae West meets W. C. Fields -- Con men and henpecked husbands: W. C. Fields as masculine icon -- "Whitefacing" the nebbish: Eddie Cantor's assimilation and influence -- Queered radio / Queered cinema: Jack Benny's mediated voice -- Queering the fraternity: Laurel and Hardy and heterosexual brotherhood -- Military disservice: Wheeler and Woolsey and Abbott and Costello join the army -- Conclusion: Beyond classic Hollywood /beyond buffoonish masculinity.
588			_aDescription based on print version record.
650		0	_aQueer theory.
650		0	_aMasculinity in motion pictures.
650		0	_aMotion pictures _xSocial aspects _zUnited States.
650		0	_aComedy films _zUnited States _xHistory and criticism.
655		7	_aElectronic books. _2local
710	2		_aProject Muse.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/books/9780814339664/
942			_2Dewey Decimal Classification _ceBooks
999			_c32775 _d32775