000			02182nam a22003737a 4500
001			sulb-eb0011773
003			BD-SySUS
005			20160404144719.0
008			121221s2013 txu o 00 0 eng d
020			_a9780292747470
020			_a0292747470
020			_z9780292747463 (cl. : alk. paper)
020			_z0292747462
040			_aMdBmJHUP _cMdBmJHUP
050	0	0	_aPN2287.W454 _bM445 2013
082	0	0	_a791.4302/8092 _223
100	1		_aMeeuf, Russell, _d1981-
245	1	0	_aJohn Wayne's world _h[electronic resource] : _btransnational masculinity in the fifties / _cby Russell Meeuf.
250			_aFirst edition.
260			_aAustin : _bUniversity of Texas Press, _c2013. _e(Baltimore, Md. : _fProject MUSE, _g2015)
300			_a1 online resource (pages cm)
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction: reexamining John Wayne -- The emergence of "John Wayne": Red River, global masculinity, and Wayne's romantic anxieties -- Exile, community, and wandering: international migration and the spatial dynamics of modernity in John Ford's cavalry trilogy -- John Wayne's cold war: mass tourism and the anticommunist crusade -- John Wayne's body: technicolor and 3-D anxieties in Hondo and the Searchers -- John Wayne's Africa: European colonialism versus U.S. global leadership in Legend of the lost -- John Wayne's Japan: international production, global trade -- And John Wayne's diplomacy in the Barbarian and the Geisha -- Men at work in tight spaces: masculinity, professionalism, and politics in Rio Bravo and the Alamo -- Conclusion: the man who shot Liberty Valance and nostalgia for John Wayne's world.
588			_aDescription based on print version record.
600	1	0	_aWayne, John, _d1907-1979.
650		0	_aNineteen fifties.
650		0	_aMotion pictures and globalization.
650		0	_aMasculinity in motion pictures.
650		0	_aMotion picture industry _zUnited States _xHistory _y20th century.
655		7	_aElectronic books. _2local
710	2		_aProject Muse.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/books/9780292747470/
942			_2Dewey Decimal Classification _ceBooks
999			_c33064 _d33064