000 | 01461nam a22003257a 4500 | ||
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001 | sulb-eb0012040 | ||
003 | BD-SySUS | ||
005 | 20160404144809.0 | ||
008 | 130329s2013 inu o 00 0 eng d | ||
020 | _a9780253007308 | ||
020 | _z9780253007223 (cloth) | ||
020 | _z9780253007285 (pbk.) | ||
040 |
_aMdBmJHUP _cMdBmJHUP |
||
050 | 0 | 0 |
_aPN1998.3.G63 _bW58 2013 |
082 | 0 | 0 |
_a791.4302/33092 _223 |
100 | 1 | _aWitt, Michael. | |
245 | 1 | 0 |
_aJean-Luc Godard, cinema historian _h[electronic resource] / _cMichael Witt. |
260 |
_aBloomington : _bIndiana University Press, _c2013. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
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300 | _a1 online resource (pages cm) | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aIntroduction: Godard's theorem -- Histoire(s) du cinema: a history -- The prior and parallel work -- Models and guides -- The rise and fall of the cinematograph -- Cinema, nationhood, and the new wave -- Making images in the age of spectacle -- The metamorphoses. | |
588 | _aDescription based on print version record. | ||
600 | 1 | 0 |
_aGodard, Jean-Luc, _d1930- _tHistoire(s) du cinema. |
600 | 1 | 0 |
_aGodard, Jean-Luc, _d1930- _xCriticism and interpretation. |
650 | 0 | _aMotion pictures and history. | |
655 | 7 |
_aElectronic books. _2local |
|
710 | 2 | _aProject Muse. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9780253007308/ |
942 |
_2Dewey Decimal Classification _ceBooks |
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999 |
_c33331 _d33331 |