000 | 01768nam a22003617a 4500 | ||
---|---|---|---|
001 | sulb-eb0012128 | ||
003 | BD-SySUS | ||
005 | 20160404144822.0 | ||
008 | 120319s2012 nju o 00 0 eng d | ||
020 | _a9780813554501 | ||
020 | _a0813554500 | ||
020 | _z9780813554495 (hardcover : alk. paper) | ||
020 | _z9780813554488 (pbk. : alk. paper) | ||
020 | _z0813554497 | ||
040 |
_aMdBmJHUP _cMdBmJHUP |
||
050 | 0 | 0 |
_aPN1996 _b.F4553 2012 |
082 | 0 | 0 |
_a791.43/657 _223 |
100 | 1 | _aFischer, Lucy. | |
245 | 1 | 0 |
_aBody double _h[electronic resource] : _bthe author incarnate in the cinema / _cLucy Fischer. |
260 |
_aNew Brunswick, N.J. : _bRutgers University Press, _c2012. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
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300 | _a1 online resource (288 p.) | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aIntroduction: the screen author wanted: dead or alive -- Typecasting the author -- Beyond adaptation: the writer as filmmaker -- The author at the dream factory: the screenwriter and the movies -- The authoress: textuality as sexuality -- Writing pain: the infirm author -- Word and image -- Corpus and oeuvre: authorship and the body -- Stealing beauty: the reader, the critic, and the appropriation of the authorial voice -- Afterword: Signs and meaning in the cinema. | |
588 | _aDescription based on print version record. | ||
650 | 0 | _aAuthors in motion pictures. | |
650 | 0 | _aMotion pictures and literature. | |
650 | 0 | _aAuteur theory (Motion pictures) | |
650 | 0 | _aMotion picture authorship. | |
655 | 7 |
_aElectronic books. _2local |
|
710 | 2 | _aProject Muse. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9780813554501/ |
942 |
_2Dewey Decimal Classification _ceBooks |
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999 |
_c33419 _d33419 |