000 | 01501nam a22003137a 4500 | ||
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001 | sulb-eb0012551 | ||
003 | BD-SySUS | ||
005 | 20160404144913.0 | ||
008 | 121012s2013 cau o 00 0 eng d | ||
020 | _a9780520955059 | ||
020 | _z9780520242852 (cloth : alk. paper) | ||
020 | _z9780520275997 (pbk. : alk. paper) | ||
040 |
_aMdBmJHUP _cMdBmJHUP |
||
050 | 0 | 0 |
_aML3477 _b.M68 2013 |
082 | 0 | 0 |
_a781.640973/09047 _223 |
100 | 1 |
_aMorris, Mitchell, _d1961- |
|
245 | 1 | 4 |
_aThe persistence of sentiment _h[electronic resource] : _bdisplay and feeling in popular music of the 1970s / _cMitchell Morris. |
260 |
_aBerkeley : _bUniversity of California Press, _cc2013. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
||
300 | _a1 online resource (ixv, 248 p. ) | ||
504 | _aIncludes bibliographical references (p. 231-239) and index. | ||
505 | 0 | _aBlack masculinity and the sound of wealth : Barry White in the early '70s -- Transport and interiority in soft soul -- The audience and Barry Manilow -- The voice of Karen Carpenter -- Cher's "dark ladies" showbiz liberation -- Crossing over with Dolly Parton. | |
588 | _aDescription based on print version record. | ||
650 | 0 |
_aSingers _zUnited States. |
|
650 | 0 |
_aPopular music _zUnited States _y1971-1980 _xHistory and criticism. |
|
655 | 7 |
_aElectronic books. _2local |
|
710 | 2 | _aProject Muse. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9780520955059/ |
942 |
_2Dewey Decimal Classification _ceBooks |
||
999 |
_c33842 _d33842 |