000 | 03303nam a22003977a 4500 | ||
---|---|---|---|
001 | sulb-eb0012827 | ||
003 | BD-SySUS | ||
005 | 20160404144947.0 | ||
008 | 130425s2013 msu o 00 0 eng d | ||
020 | _a9781621039693 | ||
020 | _a1621039692 | ||
020 | _z9781617038686 (hardback) | ||
040 |
_aMdBmJHUP _cMdBmJHUP |
||
050 | 0 | 0 |
_aPN6733.B76 _bZ46 2013 |
082 | 0 | 0 |
_a741.5/971 _223 |
100 | 1 |
_aBrown, Chester, _d1960- |
|
245 | 1 | 0 |
_aChester Brown _h[electronic resource] : _bconversations / _cedited by Dominick Grace and Eric Hoffman ; annotated by Chester Brown. |
260 |
_aJackson : _bUniversity Press of Mississippi, _c2013. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
||
300 | _a1 online resource (pages cm.) | ||
490 | 0 | _aConversations with comic artists | |
500 | _aIncludes index. | ||
520 |
_a"The early 1980s saw a revolution in mainstream comics--in subject matter, artistic integrity, and creators' rights--as new methods of publishing and distribution broadened the possibilities. Among those artists utilizing these new methods, Chester Brown quickly developed a cult following due to the undeniable quality and originality of his Yummy Fur. Chester Brown: Conversations collects interviews covering all facets of the cartoonist's long career and includes several pieces from now-defunct periodicals and fanzines. Brown was among a new generation of artists whose work dealt with decidedly nonmainstream subjects. By the 1980s comics were not just for kids anymore and subsequent censorious attacks by parents concerned about the more salacious material being published by the major publishers--subjects that routinely included adult language, realistic violence, drug use, and sexual content--began to roil the industry. Yummy Fur came of age during this storm and its often-offensive content, including dismembered, talking penises, led to controversy and censorship. With Brown's highly unconventional adaptations of the Gospels, and such comics memoirs as The Playboy and I Never Liked You, Brown gradually moved away from the surrealistic, humor-oriented strips toward autobiographical material far more restrained and elegiac in tone than his earlier strips. This work was followed by Louis Riel, Brown's critically acclaimed comic book biography of the controversial nineteeth-century Canadian revolutionary, and Paying for It, his best-selling memoir on the life of a john"-- _cProvided by publisher. |
||
588 | _aDescription based on print version record. | ||
600 | 1 | 0 |
_aBrown, Chester, _d1960- _vInterviews. |
650 | 7 |
_aBIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers. _2bisacsh |
|
650 | 7 |
_aLITERARY COLLECTIONS / Canadian. _2bisacsh |
|
650 | 7 |
_aLITERARY CRITICISM / Comics & Graphic Novels. _2bisacsh |
|
650 | 0 |
_aCartoonists _zCanada _vInterviews. |
|
655 | 7 |
_aElectronic books. _2local |
|
700 | 1 |
_aHoffman, Eric, _d1963- _eeditor of compilation. |
|
700 | 1 |
_aGrace, Dominick, _d1976- _eeditor of compilation. |
|
776 | 0 | 8 |
_iOnline version: _aBrown, Chester, 1960- _tChester Brown _dJackson : University Press of Mississippi, 2013 _z9781617038693 _w(DLC) 2013017310 |
710 | 2 | _aProject Muse. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9781621039693/ |
942 |
_2Dewey Decimal Classification _ceBooks |
||
999 |
_c34118 _d34118 |