000			01920nam a22003257a 4500
001			sulb-eb0013087
003			BD-SySUS
005			20160404145022.0
008			131021s2013 inu o 00 0 eng d
020			_a9780253010728
020			_z9780253010643 (pbk. : alk. paper)
020			_z9780253010568 (cloth : alk. paper)
040			_aMdBmJHUP _cMdBmJHUP
050	0	0	_aPN1998.3.N66 _bL87 2013
082	0	0	_a791.43/0233/092 _223
100	1		_aLupack, Barbara Tepa.
245	1	0	_aRichard E. Norman and race filmmaking _h[electronic resource] / _cBarbara Tepa Lupack ; foreword by Michael T. Martin.
260			_aBloomington : _bIndiana University Press, _c[2013] _e(Baltimore, Md. : _fProject MUSE, _g2015)
300			_a1 online resource (pages cm)
504			_aIncludes bibliographical references and index.
505	0		_aForeword by Michael T. Martin -- Introduction: new visions of opportunity -- Race matters: the evolution of race filmmaking -- "Have you talent?": Norman's early career -- "Not a white man in the cast": Norman's early race films -- "Taking two hides from the ox": The bull-dogger and The crimson skull -- "A risky experiment": Zircon and regeneration -- "You know we have the goods": The flying ace and Black gold -- "It takes a darn good one to stick": Norman's later career -- Afterword -- Appendix 1: shooting script: The green eyed monster -- Appendix 2: shooting script (fragment) and scenario: The bull-dogger -- Appendix 3: shooting script: The crimson skull.
588			_aDescription based on print version record.
600	1	0	_aNorman, Richard E., _d1891-1961 _xCriticism and interpretation.
650		0	_aAfrican Americans in motion pictures.
650		0	_aRace films.
655		7	_aElectronic books. _2local
710	2		_aProject Muse.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/books/9780253010728/
942			_2Dewey Decimal Classification _ceBooks
999			_c34378 _d34378