000 | 01688nam a22003377a 4500 | ||
---|---|---|---|
001 | sulb-eb0013199 | ||
003 | BD-SySUS | ||
005 | 20160404145039.0 | ||
008 | 130424s2014 txu o 00 0 eng d | ||
020 | _a9780292754508 | ||
020 | _a0292754507 | ||
020 | _z9780292754041 (cloth : alk. paper) | ||
020 | _z0292754043 | ||
040 |
_aMdBmJHUP _cMdBmJHUP |
||
050 | 0 | 0 |
_aN8217.A94 _bT47 2014 |
082 | 0 | 0 |
_a743/.89629222 _223 |
100 | 1 | _aTerranova, Charissa N. | |
245 | 1 | 0 |
_aAutomotive prosthetic _h[electronic resource] : _btechnological mediation and the car in conceptual art / _cby Charissa N. Terranova. |
250 | _aFirst edition. | ||
260 |
_aAustin : _bUniversity of Texas Press, _c2014. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
||
300 | _a1 online resource (pages cm) | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aConceptual car art: rethinking conceptualism through technology -- Mobile perception and the automotive prosthetic: photoconceptualism, the car, and urban space -- The nows of the automotive prosthetic: moving images, time, and the car -- Communication space: automotive urbanism in Dan Graham's work -- Hummer: the cultural militarism of art based on the SUV -- Richard Prince: the fetish and automotive maleficium -- Conclusion: the "freedom" of automotive existence. | |
588 | _aDescription based on print version record. | ||
650 | 0 |
_aConceptual art _xThemes, motives. |
|
650 | 0 | _aAutomobiles in art. | |
655 | 7 |
_aElectronic books. _2local |
|
710 | 2 | _aProject Muse. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9780292754508/ |
942 |
_2Dewey Decimal Classification _ceBooks |
||
999 |
_c34490 _d34490 |