000 | 01939nam a22003497a 4500 | ||
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001 | sulb-eb0013341 | ||
003 | BD-SySUS | ||
005 | 20160404161604.0 | ||
008 | 111207s2012 ilu o 00 0 eng d | ||
020 | _a9780810166172 | ||
020 | _z9780810128330 (cloth : alk. paper) | ||
040 |
_aMdBmJHUP _cMdBmJHUP _dBD-SySUS. |
||
043 | _ae-ur--- | ||
082 | 0 | 4 |
_a782.4216409470904 _223 |
100 | 1 | _aPlatonov, Rachel S. | |
245 | 1 | 0 |
_aSinging the self _h[electronic resource] : _bguitar poetry, community, and identity in the post-Stalin period / _cRachel S. Platonov. |
260 |
_aEvanston, Ill. : _bNorthwestern University Press, _c2012. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
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300 | _a1 online resource (p. cm.) | ||
490 | 1 | _aStudies in Russian literature and theory | |
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_gContexts _tBeyond the Soviet sixties: the origins and contexts of guitar poetry -- _tGray zones: theories of marginality in a Russian-Soviet context -- _gGuitar poetry's selves and communities -- _tGuitar poetry and the creation of lichnost' -- _tThe "KSP state": audience reception, self-fashioning, and "conversations between friends" -- _gLyrical marginalities and beyond -- _tOvert marginality: antisovetchina -- _tCovert marginality: the significance of insignificance -- _tGenre-bending and "hypergenericity". |
588 | _aDescription based on print version record. | ||
650 | 0 |
_aSongs, Russian _y20th century _xHistory and criticism. |
|
650 | 0 |
_aMarginality, Social _zSoviet Union. |
|
650 | 0 |
_aPopular music _xSocial aspects _zSoviet Union _xHistory and criticism. |
|
655 | 7 |
_aElectronic books. _2local |
|
710 | 2 | _aProject Muse. | |
830 | 0 | _aStudies in Russian literature and theory. | |
830 | 0 | _aUPCC book collections on Project MUSE. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9780810166172/ |
942 |
_2Dewey Decimal Classification _ceBooks |
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999 |
_c34649 _d34649 |