000			02814nam a22003857a 4500
001			sulb-eb0013474
003			BD-SySUS
005			20160404161610.0
008			110822s2012 ilu o 00 0 eng d
020			_a9780252093791
020			_z9780252078415 (pbk. : alk. paper)
020			_z0252078411 (pbk. : alk. paper)
020			_z9780252036699 (cloth : alk. paper)
020			_z0252036697 (cloth : alk. paper)
020			_z40020553058
040			_aMdBmJHUP _cMdBmJHUP _dBD-SySUS.
050	0	0	_aPN1998.3.K585 _bC58 2012
082	0	0	_a791.4302/33092 _aB _223
100	1		_aChung, Hye Seung, _d1971-
245	1	0	_aKim Ki-duk _h[electronic resource] / _cHye Seung Chung.
260			_aUrbana : _bUniversity of Illinois Press, _cc2012. _e(Baltimore, Md. : _fProject MUSE, _g2015)
300			_a1 online resource (x, 161 p. :) _bill. ;
490	0		_aContemporary film directors
504			_aIncludes filmography.
504			_aIncludes bibliographical references and index.
505	0		_aBeyond "extreme": the cinema of ressentiment. Kim Ki-duk: towards a more perfect imperfection -- An auteur is born: fishhooks, critical debates, and transnational canons -- On suffering and sufferance: postcolonial pain and the "purloined letter" in Address unknown -- Reconciling the paradox of silence and apologia: Bad guy, The isle, and 3-iron -- Neofeminist revisions: female bodies and semiotic chora in Birdcage inn and Samaritan girl -- The bodhisattva inner-eye: inwardly drawn transcendence in Spring, summer, fall, winter -- and spring -- Interview with Kim Ki-duk: from Crocodile to Address unknown / by Kim So-Hee.
520	8		_aThis study investigates the controversial motion pictures written and directed by the independent filmmaker Kim Ki-duk, one of the most acclaimed Korean auteurs in the English-speaking world. Propelled by underdog protagonists who can only communicate through shared corporeal pain and extreme violence, Kim's graphic films have been classified by Western audiences as belonging to sensationalist East Asian "extreme" cinema, and Kim has been labelled a "psychopath" and "misogynist" in South Korea. Drawing upon both Korean-language and English-language sources, Hye Seung Chung challenges these misunderstandings, recuperating Kim's oeuvre as a therapeutic, yet brutal cinema of Nietzschean ressentiment (political anger and resentment deriving from subordination and oppression).
588			_aDescription based on print version record.
600	1	0	_aKim, Ki-dŏk, _d1960- _xCriticism and interpretation.
655		7	_aElectronic books. _2local
710	2		_aProject Muse.
830		0	_aUPCC book collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/books/9780252093791/
942			_2Dewey Decimal Classification _ceBooks
999			_c34782 _d34782