000 | 01670nam a22003617a 4500 | ||
---|---|---|---|
001 | sulb-eb0013797 | ||
003 | BD-SySUS | ||
005 | 20160404161621.0 | ||
008 | 120124s2012 nhu o 00 0 eng d | ||
020 | _a9781611682519 | ||
020 | _a1611682517 | ||
020 | _z9781611682052 (cloth : alk. paper) | ||
020 | _z9781611682069 (pbk. : alk. paper) | ||
040 |
_aMdBmJHUP _cMdBmJHUP _dBD-SySUS. |
||
050 | 0 | 0 |
_aN72.P5 _bM38 2012 |
082 | 0 | 0 |
_a709.04/074 _223 |
100 | 1 | _aMcTighe, Monica E. | |
245 | 1 | 0 |
_aFramed spaces _h[electronic resource] : _bphotography and temporality in contemporary installation art / _cMonica E. McTighe. |
250 | _a1st [edition]. | ||
260 |
_aHanover : _bDartmouth College Press, _c2012. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
||
300 | _a1 online resource (pages cm) | ||
490 | 0 | _aInterfaces: studies in visual culture | |
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aExpanding the frame. Installation art in the 1970s -- The politics of representation. Archive and memory in the work of Renee Green -- The poetics of experience. Ann Hamilton's installations and photographs -- Camera obscura. Memory in film and video installations in the 2000s -- Conclusion. Installation art and memory. | |
588 | _aDescription based on print version record. | ||
650 | 0 |
_aInstallations (Art) _xThemes, motives. |
|
650 | 0 | _aArt and photography. | |
655 | 7 |
_aElectronic books. _2local |
|
710 | 2 | _aProject Muse. | |
830 | 0 | _aUPCC book collections on Project MUSE. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9781611682519/ |
942 |
_2Dewey Decimal Classification _ceBooks |
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999 |
_c35105 _d35105 |