000 | 01900nam a22003737a 4500 | ||
---|---|---|---|
001 | sulb-eb0014375 | ||
003 | BD-SySUS | ||
005 | 20160404161656.0 | ||
008 | 120206s2012 inu o 00 0 eng d | ||
020 | _a9780253001900 | ||
020 | _a0253001900 | ||
020 | _z9780253001795 (cloth : alk. paper) | ||
020 | _z9780253001894 (pbk. : alk. paper) | ||
040 |
_aMdBmJHUP _cMdBmJHUP _dBD-SySUS. |
||
050 | 0 | 0 |
_aPS153.H56 _bD44 2012 |
082 | 0 | 0 |
_a810.9/868073 _223 |
100 | 1 | _aDeGuzmán, María. | |
245 | 1 | 0 |
_aBuenas noches, American culture _h[electronic resource] : _bLatina/o aesthetics of night / _cMaría DeGuzmán. |
260 |
_aBloomington : _bIndiana University Press, _cc2012. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
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300 | _a1 online resource (326 p.) | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aIntroduction: Critically inhabiting the night -- Dreaded non-identities of night: night and shadows in Chicana/o cultural production -- Queer "tropics" of night and the caribe of "American" (post) modernism -- Postcolonial pre-columbian cosmologies of night in contemporary U.S.-based Central American texts -- Transcultural night work of U.S.-based South American cultural producers -- Conclusion: Two homelands have I: "America" and the night. | |
588 | _aDescription based on print version record. | ||
650 | 0 | _aNight in art. | |
650 | 0 |
_aSouth American literature _xHistory and criticism. |
|
650 | 0 |
_aCentral American literature _xHistory and criticism. |
|
650 | 0 | _aNight in literature. | |
650 | 0 |
_aAmerican literature _xHispanic American authors _xHistory and criticism. |
|
655 | 7 |
_aElectronic books. _2local |
|
710 | 2 | _aProject Muse. | |
830 | 0 | _aUPCC book collections on Project MUSE. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9780253001900/ |
942 |
_2Dewey Decimal Classification _ceBooks |
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999 |
_c35683 _d35683 |