000 | 01782nam a22003617a 4500 | ||
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001 | sulb-eb0014452 | ||
003 | BD-SySUS | ||
005 | 20160404161659.0 | ||
008 | 120319s2012 miu o 00 0 eng d | ||
020 | _a9780472028566 | ||
020 | _a0472028561 | ||
020 | _z9780472117949 (cloth : alk. paper) | ||
020 | _z9780472035038 (pbk. : alk. paper) | ||
020 | _z0472117947 | ||
040 |
_aMdBmJHUP _cMdBmJHUP _dBD-SySUS. |
||
041 | 1 |
_aeng _hdut |
|
050 | 0 | 0 |
_aPN2061 _b.B44513 2012 |
100 | 1 | _aBinnerts, Paul. | |
240 | 1 | 0 |
_aToneelspelen in de tegenwoordige tijd-een veldboek voor het vertellende ton. _lEnglish |
245 | 1 | 0 |
_aActing in real time _h[electronic resource] / _cPaul Binnerts ; translated by Paul Binnerts and Stephen Wang. |
260 |
_aAnn Arbor : _bThe University of Michigan Press, _c2012. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
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300 | _a1 online resource (272 p.) | ||
500 | _aIncludes index. | ||
505 | 0 | _aIntroduction: human behavior is the core business of theater -- Premises and inspirations. The dilemmas of the actor: who is he and what is his task? -- The heart and soul of the actor: Stanislavski's approach -- The actor as eyewitness to social processes: Brecht's approach -- Acting in real time. The technique -- The workshop -- The exercises -- Real-time acting and theater in historical perspective -- Origins and conventions -- New conventions and innovations. | |
588 | _aDescription based on print version record. | ||
650 | 0 | _aMethod acting. | |
650 | 0 | _aActing. | |
655 | 7 |
_aElectronic books. _2local |
|
710 | 2 | _aProject Muse. | |
830 | 0 | _aUPCC book collections on Project MUSE. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9780472028566/ |
942 |
_2Dewey Decimal Classification _ceBooks |
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999 |
_c35760 _d35760 |