000 | 03467nam a22004577a 4500 | ||
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001 | sulb-eb0014676 | ||
003 | BD-SySUS | ||
005 | 20160404161708.0 | ||
008 | 121015r20122010miu o 00 0 eng d | ||
020 | _a9780472027941 | ||
020 | _z9780472035151 | ||
040 |
_aMdBmJHUP _cMdBmJHUP _dBD-SySUS. |
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043 | _ae-fr--- | ||
050 | 4 |
_aPQ2601.R677 _bZ685 2010 |
|
082 | 0 | 4 |
_a848/.91209 _222 |
100 | 1 | _aJannarone, Kimberly. | |
245 | 1 | 0 |
_aArtaud and his doubles _h[electronic resource] / _cKimberly Jannarone. |
260 |
_aAnn Arbor, Mich. : _bUniversity of Michigan Press, _cc2010 _e(Baltimore, Md. : _fProject Muse, _g2012) _e(Baltimore, Md. : _fProject MUSE, _g2015) |
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300 |
_a1 online resource (1 electronic text (xiv, 253 p) :) _bdigital file. |
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490 | 1 | _aTheater: theory/text/performance | |
500 | _aIssued as part of UPCC book collections on Project MUSE. | ||
504 | _aIncludes bibliographical references (p. 233-241) and index. | ||
505 | 0 | _aThe fight against civilization; or, the rebirth of tragedy. Invocation of the plague : nouveau mal du siecle the residues of war "The future of the world" -- Reactionary modern : the controversions of the counter-enlightenment anywhere out of this world irrational affinities -- Audience, mass, crowd. The avant-garde and the audience : the crisis of bourgeois theater the avant-garde and the audience immersion agitation -- The theater of cruelty and conceptions of the audience -- Theaters for the masses : working on the masses mythical, total, real -- Crowds and cruelty : crowd feeling in the theater of cruelty the nerve meter -- Visions of power. The artist of the theater : the rise of the director artistic power in the Jarry Theater the direction of menace -- Controlling forces : directing The Cenci concentrating control power by charisma -- Conclusion : longing for nothingness. | |
520 | 3 | _aThis is an unlooked-for project. Like many others, I first saw Artaud through the filters of American experimental theater and post-structuralism. My earliest work on Artaud began from accepted familiar premises, largely established in the 1960s: Artaud as prophet, madman, genius, was the thing to study; his significance lay in his status as an inspirational figure manifesting a largely ahistorical impulse; his denunciation of civilization's discontents implied a progressive critique. My research led me in different directions, however. Fueled by a desire to really read Artaud's works closely especially his early writing and his productions--I dug into the archives to research Artaud's theatrical practice. | |
588 | _aDescription based on print version record. | ||
600 | 1 | 0 |
_aArtaud, Antonin, _d1896-1948 _xKnowledge _xPerforming arts. |
600 | 1 | 0 |
_aArtaud, Antonin, _d1896-1948 _xCriticism and interpretation. |
650 | 0 | _aCruelty in literature. | |
650 | 0 |
_aDrama _xHistory and criticism _xTheory, etc. |
|
650 | 0 |
_aExperimental theater _zFrance _xHistory _y20th century. |
|
655 | 0 | _aElectronic books. | |
655 | 7 |
_aElectronic books. _2local |
|
710 | 2 | _aProject Muse. | |
776 | 0 | 8 |
_iPrint version: _z047211736X _z9780472117369 _w(DLC) 2010024619 |
710 | 2 | _aProject Muse. | |
830 | 0 | _aUPCC book collections on Project MUSE. | |
830 | 0 | _aTheater--theory/text/performance. | |
830 | 0 | _aUPCC book collections on Project MUSE. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9780472027941/ |
942 |
_2Dewey Decimal Classification _ceBooks |
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999 |
_c35984 _d35984 |