000			01484nam a22003497a 4500
001			sulb-eb0014677
003			BD-SySUS
005			20160404161708.0
008			111215s2012 inu o 00 0 eng d
020			_a9780253005229
020			_z9780253357038 (cloth : alkaline paper)
040			_aMdBmJHUP _cMdBmJHUP _dBD-SySUS.
050	0	0	_aML3797 _b.C87 2012
082	0	0	_a780.72 _223
100	1		_aCurrie, James R., _eauthor.
245	1	0	_aMusic and the politics of negation _h[electronic resource] / _cJames R. Currie.
260			_aBloomington ; _aIndianapolis : _bIndiana University Press, _c2012. _e(Baltimore, Md. : _fProject MUSE, _g2015)
300			_a1 online resource (pages. cm.)
490	1		_aMusical meaning and interpretation
504			_aIncludes bibliographical references and index.
505	0		_aVeils (Mozart, Piano concerto K. 459, Finale) -- Dreams (fugal counterpoint) -- Exile (Haydn, String quartet op. 33, no. 5) -- Enchantment (Mozart, La clemenza di Tito) -- Forgetting (Edward Said).
588			_aDescription based on print version record.
650		0	_aMusic _xPolitical aspects.
650		0	_aPostmodernism.
650		0	_aMusicology.
655		7	_aElectronic books. _2local
710	2		_aProject Muse.
830		0	_aMusical meaning and interpretation.
830		0	_aUPCC book collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/books/9780253005229/
942			_2Dewey Decimal Classification _ceBooks
999			_c35985 _d35985