000			03319nam a22003857a 4500
001			sulb-eb0015019
003			BD-SySUS
005			20160404161722.0
008			120815s2012 ohu o 00 0 eng d
020			_a9780821444337
020			_a0821444336
020			_z9780821420157 (pb : alk. paper)
020			_z0821420151
040			_aMdBmJHUP _cMdBmJHUP _dBD-SySUS.
043			_af------ _an-us---
050	0	0	_aPN1995.9.A43 _bH65 2012
082	0	0	_a791.43/651 _223
245	0	0	_aHollywood's Africa after 1994 _h[electronic resource] / _cedited by MaryEllen Higgins.
260			_aAthens : _bOhio University Press, _c2012. _e(Baltimore, Md. : _fProject MUSE, _g2015)
300			_a1 online resource (288 p.)
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction: African blood, Hollywood's diamonds? Hollywood's Africa after 1994 / MaryEllen Higgins -- The cited and the uncited: toward an emancipatory reading of representations of Africa / Harry Garuba and Natasha Himmelman -- The troubled terrain of human rights films: Blood diamond, The last king of Scotland, and, The devil came on horseback / Margaret R. Higonnet, with Ethel R. Higonnet -- Hollywood's representations of human rights: the case of Terry George's Hotel Rwanda / Joyce B. Ashuntantang -- Hollywood's cowboy humanitarianism in Black Hawk down and Tears of the sun / MaryEllen Higgins -- Again, the darkness: Shake hands with the devil / Kenneth W. Harrow -- Ambiguities and paradoxes: framing northern intervention in The constant gardener / Christopher Odhiambo Joseph -- Minstrelsy and mythic appetites: The last king of Scotland's heart of darkness in the Jubilee Year of African independence / Ricardo Guthrie -- "An image of Africa": representations of modern colonialism in Africa in Peter Jackson's King Kong / Clifford T. Manlove -- Plus 'a change, plus c'est la meme chose: Hollywood's constructions of Africa in Lord of war / Earl Conteh-Morgan -- New Jack African cinema: Dangerous ground; Cry, the beloved country; and Blood diamond / Bennetta Jules-Rosette, J.R. Osborn, and Lea Marie Ruiz-Ade -- "It is a very rough game, almost as rough as politics": rugby as visual metaphor and the future of the new South Africa in Invictus / Christopher Garland -- "Every brother ain't a brother": cultural dissonance and Nigerian malaise in District 9's new South Africa / Kimberly Nichele Brown -- Coaxing the beast out of the cage: secrecy and disclosure in Red dust and Catch a fire / Jane Bryce -- Situating agency in Blood diamond and Ezra / Iyunolu Osagie -- Bye bye Hollywood: African cinema and its double in Mahamet-Saleh Haroun's Bye bye Africa / Dayna Oscherwitz.
588			_aDescription based on print version record.
651		0	_aAfrica _xIn motion pictures.
650		0	_aMotion pictures _zUnited States _xHistory _y21st century.
650		0	_aCulture conflict in motion pictures.
650		0	_aImperialism in motion pictures.
650		0	_aHuman rights in motion pictures.
655		7	_aElectronic books. _2local
700	1		_aHiggins, MaryEllen, _d1967-
710	2		_aProject Muse.
830		0	_aUPCC book collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/books/9780821444337/
942			_2Dewey Decimal Classification _ceBooks
999			_c36327 _d36327