000			02005nam a22002777a 4500
001			sulb-eb0015122
003			BD-SySUS
005			20160405134114.0
008			121130s2014||||enk o ||1 0|eng|d
020			_a9781139629195 (ebook)
020			_z9781107040632 (hardback)
040			_aUkCbUP _beng _erda _cUkCbUP _dBD-SySUS.
050	0	0	_aPR3091 _b.M68 2014
082	0	0	_a792.9/5 _223
245	0	0	_aMoving Shakespeare Indoors : _bPerformance and Repertoire in the Jacobean Playhouse / _cedited by Andrew Gurr, Farah Karim-Cooper.
264		1	_aCambridge : _bCambridge University Press, _c2014.
300			_a1 online resource (308 pages) : _bdigital, PDF file(s).
500			_aTitle from publisher's bibliographic system (viewed on 04 Apr 2016).
520			_aShakespeare's company, the King's Men, played at the Globe, and also in an indoor theatre, the Blackfriars. The year 2014 witnessed the opening of the Sam Wanamaker Playhouse, based on seventeenth-century designs of an indoor London theatre and built within the precincts of the current Globe on Bankside. This volume, edited by Andrew Gurr and Farah Karim-Cooper, asks what prompted the move to indoor theatres, and considers the effects that more intimate staging, lighting and music had on performance and repertory. It discusses what knowledge is required when attempting to build an archetype of such a theatre, and looks at the effects of the theatre on audience behaviour and reception. Exploring the ways in which indoor theatre shaped the writing of Shakespeare and his contemporaries in the late Jacobean and early Caroline periods, this book will find a substantial readership among scholars of Shakespeare and Jacobean theatre history.
650		0	_aBlackfriars Theatre (London, England)
700	1		_aGurr, Andrew, _eeditor.
700	1		_aKarim-Cooper, Farah, _eeditor.
776	0	8	_iPrint version: _z9781107040632
856	4	0	_uhttp://dx.doi.org/10.1017/CBO9781139629195
942			_2Dewey Decimal Classification _ceBooks
999			_c36966 _d36966