000 | 01801nam a22002657a 4500 | ||
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001 | sulb-eb0015182 | ||
003 | BD-SySUS | ||
005 | 20160405134116.0 | ||
008 | 130522s2014||||enk o ||1 0|eng|d | ||
020 | _a9781107262201 (ebook) | ||
020 | _z9781107048546 (hardback) | ||
020 | _z9781107649262 (paperback) | ||
040 |
_aUkCbUP _beng _erda _cUkCbUP _dBD-SySUS. |
||
050 | 0 | 0 |
_aPR851 _b.M53 2014 |
082 | 0 | 0 |
_a823.009/354 _223 |
100 | 1 |
_aMichals, Teresa, _eauthor. |
|
245 | 1 | 0 |
_aBooks for Children, Books for Adults : _bAge and the Novel from Defoe to James / _cTeresa Michals. |
264 | 1 |
_aCambridge : _bCambridge University Press, _c2014. |
|
300 |
_a1 online resource (290 pages) : _bdigital, PDF file(s). |
||
500 | _aTitle from publisher's bibliographic system (viewed on 04 Apr 2016). | ||
520 | _aIn this groundbreaking and wide-ranging study, Teresa Michals explores why some books originally written for a mixed-age audience, such as Daniel Defoe's Robinson Crusoe, eventually became children's literature, while others, such as Samuel Richardson's Pamela, became adult novels. Michals considers how historically specific ideas about age shaped not only the readership of novels, but also the ways that characters are represented within them. Arguing that age is first understood through social status, and later through the ideal of psychological development, the book examines the new determination of authors at the end of the nineteenth century, such as Henry James, to write for an audience of adults only. In these novels and in their reception, a world of masters and servants became a world of adults and children. | ||
776 | 0 | 8 |
_iPrint version: _z9781107048546 |
856 | 4 | 0 | _uhttp://dx.doi.org/10.1017/CBO9781107262201 |
942 |
_2Dewey Decimal Classification _ceBooks |
||
999 |
_c37026 _d37026 |