000			01807nam a22002537a 4500
001			sulb-eb0015238
003			BD-SySUS
005			20160405134118.0
008			121212s2014||||enk o ||1 0|eng|d
020			_a9781139649483 (ebook)
020			_z9781107041288 (hardback)
040			_aUkCbUP _beng _erda _cUkCbUP _dBD-SySUS.
050	0	0	_aPN2590.A93 _bH63 2014
082	0	0	_a792.0942/09031 _223
100	1		_aHobgood, Allison P., _eauthor.
245	1	0	_aPassionate Playgoing in Early Modern England / _cAllison P. Hobgood.
264		1	_aCambridge : _bCambridge University Press, _c2014.
300			_a1 online resource (244 pages) : _bdigital, PDF file(s).
500			_aTitle from publisher's bibliographic system (viewed on 04 Apr 2016).
520			_aAllison P. Hobgood tells a new story about the emotional experiences of theatregoers in Renaissance England. Through detailed case studies of canonical plays by Shakespeare, Jonson, Kyd and Heywood, the reader will discover what it felt like to be part of performances in English theatre and appreciate the key role theatregoers played in the life of early modern drama. How were spectators moved – by delight, fear or shame, for example – and how did their own reactions in turn make an impact on stage performances? Addressing these questions and many more, this book discerns not just how theatregoers were altered by drama's affective encounters, but how they were undeniable influences upon those encounters. Overall, Hobgood reveals a unique collaboration between the English world and stage, one that significantly reshapes the ways we watch, read and understand early modern drama.
776	0	8	_iPrint version: _z9781107041288
856	4	0	_uhttp://dx.doi.org/10.1017/CBO9781139649483
942			_2Dewey Decimal Classification _ceBooks
999			_c37082 _d37082