000			02195nam a22003617a 4500
001			sulb-eb0015370
003			BD-SySUS
005			20160405134432.0
008			130307s2013||||enk o ||1 0|eng|d
020			_a9781107360020 (ebook)
020			_z9781107044210 (hardback)
020			_z9781107620681 (paperback)
040			_aUkCbUP _beng _erda _cUkCbUP
050	0	0	_aPR447 _b.H38 2013
082	0	0	_a820.9/145 _223
100	1		_aHaywood, Ian, _eauthor.
245	1	0	_aRomanticism and Caricature / _cIan Haywood.
246	3		_aRomanticism & Caricature
264		1	_aCambridge : _bCambridge University Press, _c2013.
300			_a1 online resource (242 pages) : _bdigital, PDF file(s).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	0		_aCambridge Studies in Romanticism ; _v103
500			_aTitle from publisher's bibliographic system (viewed on 04 Apr 2016).
520			_aIan Haywood explores the 'Golden Age' of caricature through the close reading of key, iconic prints by artists including James Gillray, George and Robert Cruikshank, and Thomas Rowlandson. This approach both illuminates the visual and ideological complexity of graphic satire and demonstrates how this art form transformed Romantic-era politics into a unique and compelling spectacle of corruption, monstrosity and resistance. New light is cast on major Romantic controversies including the 'revolution debate' of the 1790s, the impact of Thomas Paine's 'infidel' Age of Reason, the introduction of paper money and the resulting explosion of executions for forgery, the propaganda campaign against Napoleon, the revolution in Spain, the Peterloo massacre, the Queen Caroline scandal, and the Reform Bill crisis. Overall, the volume offers important new insights into the relationship between art, satire and politics in a key period of history.
650		0	_aRomanticism
650		0	_aCaricature in literature
776	0	8	_iPrint version: _z9781107044210
830		0	_aCambridge Studies in Romanticism ; _v103.
856	4	0	_uhttp://dx.doi.org/10.1017/CBO9781107360020
942			_2Dewey Decimal Classification _ceBooks
999			_c37214 _d37214