000			01983nam a22002897a 4500
001			sulb-eb0015544
003			BD-SySUS
005			20160405134437.0
008			120926s2013||||enk o ||1 0|eng|d
020			_a9781139794800 (ebook)
020			_z9781107037717 (hardback)
040			_aUkCbUP _beng _erda _cUkCbUP
050	0	0	_aPA6537 _b.M296 2013
082	0	0	_a871/.01 _223
100	1		_aMartelli, Francesca K. A., _eauthor.
245	1	0	_aOvid's Revisions : _bThe Editor as Author / _cFrancesca K. A. Martelli.
264		1	_aCambridge : _bCambridge University Press, _c2013.
300			_a1 online resource (270 pages) : _bdigital, PDF file(s).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aTitle from publisher's bibliographic system (viewed on 04 Apr 2016).
520			_aA striking feature of Ovid's literary career derives from the processes of revision to which he subjects the works and collections that make up his oeuvre. From the epigram prefacing the Amores, to the editorial notices built into the book-frames of the Epistulae Ex Ponto, Ovid repeatedly invites us to consider the transformative horizons that these editorial interventions open up for his individual works, and which also affect the shape of his career and authorial identity. Francesca K. A. Martelli plots the vicissitudes of Ovid's distinctive career-long habit, considering how it transforms the relationship between text, oeuvre and authorial voice, and how it relates to the revisory practices at work in the wider cultural and political matrix of Ovid's day. This fascinating study will be of great interest to students and scholars of classical literature, and to any literary critic interested in revision as a mode of authorial self-fashioning.
776	0	8	_iPrint version: _z9781107037717
856	4	0	_uhttp://dx.doi.org/10.1017/CBO9781139794800
942			_2Dewey Decimal Classification _ceBooks
999			_c37388 _d37388