000			02117nam a22003257a 4500
001			sulb-eb0015626
003			BD-SySUS
005			20160405134439.0
008			110225s2013||||enk o ||1 0|eng|d
020			_a9781139033329 (ebook)
020			_z9780521844031 (hardback)
040			_aUkCbUP _beng _erda _cUkCbUP
050	0	0	_aML410.D138 _bE27 2013
082	0	0	_a782.1092 _223
100	1		_aEarle, Ben, _eauthor.
245	1	0	_aLuigi Dallapiccola and Musical Modernism in Fascist Italy / _cBen Earle.
246	3		_aLuigi Dallapiccola & Musical Modernism in Fascist Italy
264		1	_aCambridge : _bCambridge University Press, _c2013.
300			_a1 online resource (316 pages) : _bdigital, PDF file(s).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	0		_aMusic since 1900
500			_aTitle from publisher's bibliographic system (viewed on 04 Apr 2016).
520			_aLuigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.
776	0	8	_iPrint version: _z9780521844031
830		0	_aMusic since 1900.
856	4	0	_uhttp://dx.doi.org/10.1017/CBO9781139033329
942			_2Dewey Decimal Classification _ceBooks
999			_c37470 _d37470