000 | 01910nam a22003257a 4500 | ||
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001 | sulb-eb0015687 | ||
003 | BD-SySUS | ||
005 | 20160405134441.0 | ||
008 | 110307s2013||||enk o ||1 0|eng|d | ||
020 | _a9781139049610 (ebook) | ||
020 | _z9780521769402 (hardback) | ||
020 | _z9780521149709 (paperback) | ||
040 |
_aUkCbUP _beng _erda _cUkCbUP |
||
050 | 0 | 0 |
_aP217.3 _b.B47 2013 |
082 | 0 | 0 |
_a414 _223 |
100 | 1 |
_aBerent, Iris, _eauthor. |
|
245 | 1 | 4 |
_aThe Phonological Mind / _cIris Berent. |
264 | 1 |
_aCambridge : _bCambridge University Press, _c2013. |
|
300 |
_a1 online resource (378 pages) : _bdigital, PDF file(s). |
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336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
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500 | _aTitle from publisher's bibliographic system (viewed on 04 Apr 2016). | ||
520 | _aHumans instinctively form words by weaving patterns of meaningless speech elements. Moreover, we do so in specific, regular ways. We contrast dogs and gods, favour blogs to lbogs. We begin forming sound-patterns at birth and, like songbirds, we do so spontaneously, even in the absence of an adult model. We even impose these phonological patterns on invented cultural technologies such as reading and writing. But why are humans compelled to generate phonological patterns? And why do different phonological systems - signed and spoken - share aspects of their design? Drawing on findings from a broad range of disciplines including linguistics, experimental psychology, neuroscience and comparative animal studies, Iris Berent explores these questions and proposes a new hypothesis about the architecture of the phonological mind. | ||
650 | 0 | _aPhonetics | |
650 | 0 | _aCognitive grammar | |
776 | 0 | 8 |
_iPrint version: _z9780521769402 |
856 | 4 | 0 | _uhttp://dx.doi.org/10.1017/CBO9781139049610 |
942 |
_2Dewey Decimal Classification _ceBooks |
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999 |
_c37531 _d37531 |