000			02125nam a22003497a 4500
001			sulb-eb0015716
003			BD-SySUS
005			20160405134442.0
008			101115s2013||||enk o ||1 0|eng|d
020			_a9780511820540 (ebook)
020			_z9781107010932 (hardback)
020			_z9781107648173 (paperback)
040			_aUkCbUP _beng _erda _cUkCbUP
050	0	0	_aML1380 _b.C623 2013
082	0	0	_a786.7 _223
100	1		_aCollins, Nick, _eauthor.
245	1	0	_aElectronic Music / _cNick Collins, Margaret Schedel, Scott Wilson.
264		1	_aCambridge : _bCambridge University Press, _c2013.
300			_a1 online resource (242 pages) : _bdigital, PDF file(s).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	0		_aCambridge Introductions to Music
500			_aTitle from publisher's bibliographic system (viewed on 04 Apr 2016).
520			_aThis accessible Introduction explores both mainstream and experimental manifestations of electronic music. From early recording equipment to the most recent multimedia performances, the history of electronic music is full of interesting characters, fascinating and unusual music, and radical technology. Covering many different eras, genres and media, analyses of works appear alongside critical discussion of central ideas and themes, making this an essential guide for anyone approaching the subject for the first time. Chapters include key topics from synth pop to sound art, from electronic dance music to electrical instruments, and from the expression of pure sound to audiovisuals. Highly illustrated and with a wide selection of examples, the book provides many suggestions for further reading and listening to encourage students to begin their own experiments in this exciting field.
700	1		_aSchedel, Margaret, _eauthor.
700	1		_aWilson, Scott, _eauthor.
776	0	8	_iPrint version: _z9781107010932
830		0	_aCambridge Introductions to Music.
856	4	0	_uhttp://dx.doi.org/10.1017/CBO9780511820540
942			_2Dewey Decimal Classification _ceBooks
999			_c37560 _d37560