000			03590nam a22005657a 4500
001			sulb-eb0019968
003			BD-SySUS
005			20160407144720.0
006			m o d
007			cr||||||||nn|n
008			120411s2012 cc o 00 0 eng d
020			_a9789888053872
020			_a9888053876
020			_z9789888083329
035			_a(OCoLC)779542995
040			_aMdBmJHUP _cMdBmJHUP _dBD-SySUS.
043			_aa-ja---
050		4	_aPN1993.5.J3 _bT495 2012
082	0	4	_a791.430952 _223
100	1		_aTezuka, Yoshiharu.
245	1	0	_aJapanese cinema goes global _h[electronic resource] : _bfilmworkers' journeys / _cYoshiharu Tezuka.
260			_aHong Kong [China] : _bHong Kong University Press, _cc2012 _e(Baltimore, Md. : _fProject Muse _g2012) _e(Baltimore, Md. : _fProject MUSE, _g2015)
300			_a1 online resource (1 electronic text (x, 200 p.) :) _bdigital file.
336			_atext _btxt
337			_acomputer _bc
338			_aonline resource _bcr
490	1		_aTransAsia : screen cultures
500			_aIssued as part of UPCC book collections on Project MUSE.
504			_aIncludes bibliographical references (p. [181]-196) and index.
505	0		_aIntroduction -- ch. 1. Japanese national identity and "banal" cosmopolitalization -- ch. 2. Internationalization of Japanese cinema : how Japan was different from the West and above Asia before globalization -- ch. 3. Globalization of film finance : the actually existing cosmopolitanisms of Japanese film producers -- ch. 4. Global America? : American-Japanese film co-productions from Shogun (1980) to The grudge 2 (2006) -- ch. 5. Pan-Asian cinema? : the past of Japan-centred regional cosmopolitanism.
520			_aJapan's film industry has gone through dramatic changes in recent decades, as international consumer forces and transnational talent have brought unprecedented engagement with global trends. With careful research and also unique first-person observations drawn from years of working within the international industry of Japanese film, the author aims to examine how different generations of Japanese filmmakers engaged and interacted with the structural opportunities and limitations posed by external forces, and how their subjectivity has been shaped by their transnational experiences and has changed as a result. Having been through the globalization of the last part of the twentieth century, are Japanese themselves and overseas consumers of Japanese culture really becoming more cosmopolitan? If so, what does it mean for Japan's national culture and the traditional sense of national belonging among Japanese people?
588			_aDescription based on print version record.
650		0	_aCulture and globalization _zJapan.
650		0	_aMotion pictures _xSocial aspects _zJapan.
650		0	_aMotion pictures and globalization _zJapan.
650		0	_aMotion picture industry _zJapan _xHistory.
655		0	_aElectronic books.
655		7	_aElectronic books. _2local
710	2		_aProject Muse.
776	0	8	_iPrint version: _z9888083325 _z9789888083329
710	2		_aProject Muse.
830		0	_aUPCC book collections on Project MUSE.
830		0	_aTransAsia: screen cultures.
830		0	_aUPCC book collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/books/9789888053872/
942			_2Dewey Decimal Classification _ceBooks
945			_aProject MUSE - UPCC 2011 Film, Theater and Performing Arts
945			_aProject MUSE - UPCC 2011 Complete
945			_aProject MUSE - UPCC 2011 Asian and Pacific Studies
999			_c41600 _d41600