000			03789nam a22005177a 4500
001			sulb-eb0019996
003			BD-SySUS
005			20160407144722.0
006			m o d
007			cr||||||||nn|n
008			100527s2011 inu o 00 0 eng d
010			_z 2010022316
020			_a9780253000859
020			_a0253000858
020			_z9780253354617 (cloth : alk. paper)
020			_z0253354617 (cloth : alk. paper)
035			_a(OCoLC)747411089
040			_aMdBmJHUP _cMdBmJHUP _dBD-SySUS.
043			_ae-fr---
050	0	0	_aML270.2 _b.G67 2011
082	0	0	_a782.4/3094409032 _222
100	1		_aGordon-Seifert, Catherine Elizabeth.
245	1	0	_aMusic and the language of love _h[electronic resource] : _bseventeenth-century French airs / _cCatherine Gordon-Seifert.
260			_aBloomington : _bIndiana University Press, _cc2011. _e(Baltimore, Md. : _fProject MUSE, _g2015)
300			_a1 online resource (ix, 390 p. :) _bill. ;
336			_atext _btxt
337			_acomputer _bc
338			_aonline resource _bcr
490	1		_aMusical meaning and interpretation
490	1		_aMusic and the early modern imagination
504			_aIncludes bibliographical references (p. [345]-367) and index.
505	0		_aMusic and texts: an overview of the sources: A general description of the air ; The publications ; The composers ; Publications by Lambert, Bacilly, La Barre, and Le Camus: a description ; The song texts ; Poetic structure ; Style or elocution: figurative language and poetic syntax ; Poetry and rhetoric -- Rhetoric and meaning in the seventeenth-century French air: Seventeenth-century French sources on rhetoric and music ; Persuading the passions -- Musical representations of the primary passions: The primary passions ; The agitated passions ; The modest passions ; The neutral passion: Le contentement ; Summary -- Setting the texts: Painful love ; Bittersweet love ; Enticing love ; Joyous love ; Summary -- Form and style: the organization and function of expressions, syntax, and rhetorical figures: Form (disposition) ; The organization of expressions in short airs ; The organization of expressions in long airs ; Form in single-strophe airs ; The rhetorical sections of a piece: their function and expression ; Style (elocution): poetic structure, punctuation, and rhetorical figures -- L'art du chant: performing French airs: À haute voix: the importance of orality ; The art of proper singing: tone and style ; Ornamentation ; The pronunciation of seventeenth-century French ; Syllabic quantity ; Tempo ; Le mouvement ; Repeats ; Basso continuo accompaniment -- Salon culture and the mid-seventeenth-century French air: The French air and conversation ; Musical seductions ; Galanterie and the air: undercurrents of eroticism and lessons of morality ; Women singing airs as men -- The late-seventeenth-century air and the rhetoric of distraction ; The air after 1670 ; Songs and the rhetoric of distraction ; Pleasure, airs, and the new rhetoric ; The legacy of Lambert, Bacilly, Le Camus, and La Barre.
588			_aDescription based on print version record.
650		0	_aLove in music.
650		0	_aLove songs _zFrance _y17th century _xHistory and criticism.
650		0	_aMusic _zFrance _y17th century _xHistory and criticism.
655		7	_aElectronic books. _2local
710	2		_aProject Muse.
830		0	_aMusical meaning and interpretation.
830		0	_aMusic and the early modern imagination.
830		0	_aUPCC book collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/books/9780253000859/
942			_2Dewey Decimal Classification _ceBooks
945			_aProject MUSE - UPCC 2011 Film, Theater and Performing Arts
945			_aProject MUSE - UPCC 2011 Complete
999			_c41628 _d41628