000 | 01922nam a22004097a 4500 | ||
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001 | sulb-eb0020451 | ||
003 | BD-SySUS | ||
005 | 20160407144808.0 | ||
006 | m o d | ||
007 | cr||||||||nn|n | ||
008 | 101025s2011 kyu o 00 0 eng d | ||
010 | _z 2010044908 | ||
020 | _a9780813126593 | ||
020 | _z9780813126517 (alk. paper) | ||
035 | _a(OCoLC)704055981 | ||
040 |
_aMdBmJHUP _cMdBmJHUP _dBD-SySUS. |
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050 | 0 | 0 |
_aTR855 _b.C67 2011 |
082 | 0 | 0 |
_a778.5/3 _222 |
100 | 1 | _aCossar, Harper. | |
245 | 1 | 0 |
_aLetterboxed _h[electronic resource] : _bthe evolution of widescreen cinema / _cHarper Cossar. |
260 |
_aLexington, KY : _bUniversity Press of Kentucky, _c2011. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
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300 |
_a1 online resource (x, 293 p. :) _bill. ; |
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336 |
_atext _btxt |
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337 |
_acomputer _bc |
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338 |
_aonline resource _bcr |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aIntroduction: snakes and funerals -- D.W. Griffith, Buster Keaton, Abel Gance, and the precursors of widescreen aesthetics -- Big trail, the bat whispers, and the invention of widescreen style in 1930 -- Emerging stylistic norms in CinemaScope: genre and authorship in the films of Otto Preminger, Nicholas Ray, Frank Tashlin, and Douglas Sirk -- Experiments, 1968, and the fractured screen -- New media, digitextuality, and widescreen -- Conclusion. | |
588 | _aDescription based on print version record. | ||
650 | 0 |
_aWide-screen processes (Cinematography) _xHistory. |
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655 | 7 |
_aElectronic books. _2local |
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710 | 2 | _aProject Muse. | |
830 | 0 | _aUPCC book collections on Project MUSE. | |
856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9780813126593/ |
942 |
_2Dewey Decimal Classification _ceBooks |
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945 | _aProject MUSE - UPCC 2011 Film, Theater and Performing Arts | ||
945 | _aProject MUSE - UPCC 2011 Complete | ||
999 |
_c42083 _d42083 |