| 000 | 02939nam a22004577a 4500 | ||
|---|---|---|---|
| 001 | sulb-eb0020471 | ||
| 003 | BD-SySUS | ||
| 005 | 20160407144811.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 110215s2011 kyu o 00 0 eng d | ||
| 010 | _z 2011007258 | ||
| 020 | _a9780813133812 | ||
| 020 | _z9780813133805 (hardcover : alk. paper) | ||
| 020 | _z0813133807 (hardcover : alk. paper) | ||
| 020 | _z0813133815 (ebook) | ||
| 035 | _a(OCoLC)859671023 | ||
| 040 |
_aMdBmJHUP _cMdBmJHUP _dBD-SySUS. |
||
| 050 | 0 | 0 |
_aPN1998.3.L44 _bP45 2011 |
| 082 | 0 | 0 |
_a791.4302/33092 _222 |
| 245 | 0 | 4 |
_aThe philosophy of Spike Lee _h[electronic resource] / _cedited by Mark T. Conard. |
| 260 |
_aLexington, Ky. : _bUniversity Press of Kentucky, _cc2011. _e(Baltimore, Md. : _fProject MUSE, _g2015) |
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| 300 | _a1 online resource (ix, 251 p. ) | ||
| 336 |
_atext _btxt |
||
| 337 |
_acomputer _bc |
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| 338 |
_aonline resource _bcr |
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| 490 | 1 | _aThe philosophy of popular culture | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aPreface -- Justice, value, and the nature of evil. The symbolism of blood in Clockers / Douglas McFarland -- The prostitution trap of elite sport in He got game / Jason Holt and Robert Pitter -- Aristotle and MacIntyre on Justice in 25th Hour / Mark T. Conard -- We can't get off the bus: a commentary on Spike Lee and moral motivation / Gabriella Beckles-Raymond -- Monsters and moralism in Summer of Sam / R. Barton Palmer -- Race, sexuality, and community. (Still) fighting the power: public space and the unspeakable privacy of the other in Do the right thing / Elizabeth Hope Finnegan -- Coworking in the kingdom of culture: identity and community in the films of Spike Lee / Charles F. Peterson -- Feminists and "freaks": She's gotta have it and Girl / Karen D. Hoffman -- The dialectic of King and X in Do the right thing / Michael Silberstein -- Fevered desires and interracial intimacies in Jungle fever / Ronald R. Sundstrom -- Bamboozled: philosophy through blackface / -- Dan Flory -- Time, the subject, and transcendence. Transcendence and sublimity in Spike Lee's signature shot / Jerold J. Abrams -- Economies of time in Clockers / Richard Gilmore -- Rethinking the first person: autobiography, authorship, and the contested self in Malcolm X / David LaRocca. | |
| 588 | _aDescription based on print version record. | ||
| 600 | 1 | 0 |
_aLee, Spike _xCriticism and interpretation. |
| 655 | 7 |
_aElectronic books. _2local |
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| 700 | 1 |
_aConard, Mark T., _d1965- |
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| 710 | 2 | _aProject Muse. | |
| 830 | 0 | _aPhilosophy of popular culture. | |
| 830 | 0 | _aUPCC book collections on Project MUSE. | |
| 856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/books/9780813133812/ |
| 942 |
_2Dewey Decimal Classification _ceBooks |
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| 945 | _aProject MUSE - UPCC 2011 Film, Theater and Performing Arts | ||
| 945 | _aProject MUSE - UPCC 2011 Complete | ||
| 999 |
_c42103 _d42103 |
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