000			05854cam a2200769Ki 4500
001			sulb-eb0030906
003			BD-SySUS
005			20170713221240.0
006			m o d
007			cr |n|---|||||
008			110530s2011 mauab ob 001 0 eng d
040			_aEBLCP _beng _erda _epn _cEBLCP _dOCLCQ _dDG1 _dYDXCP _dOCLCQ _dOCLCO _dOCLCQ _dNLGGC _dOCLCF _dOCLCQ _dOCLCO _dWAU _dDEBSZ _dOCLCO _dOCLCQ _dOCLCO _dOCLCQ _dOCL _dDEBBG _dQGK _dOCLCO _dBD-SySUS
019			_a729724680 _a839374296 _a960033784
020			_a9781444396416 _q(electronic bk.)
020			_a1444396412 _q(electronic bk.)
020			_z9781405199490 _q(hbk.)
020			_z1405199490 _q(hbk.)
020			_z9781405199506 _q(pbk.)
020			_z1405199504 _q(pbk.)
020			_z1444396390
020			_z9781444396393
024	7		_a10.1002/9781444396416 _2doi
029	1		_aAU@ _b000047226186
029	1		_aDEBSZ _b430965168
029	1		_aDEBSZ _b449229971
029	1		_aNLGGC _b356482014
029	1		_aNZ1 _b13933286
029	1		_aNZ1 _b15341395
029	1		_aDEBBG _bBV043393116
035			_a(OCoLC)727648808 _z(OCoLC)729724680 _z(OCoLC)839374296 _z(OCoLC)960033784
037			_a10.1002/9781444396416 _bWiley InterScience _nhttp://www3.interscience.wiley.com
050		4	_aPN1995.9.A8 _bE97 2011eb
082	0	4	_a302.23/43 _221
049			_aMAIN
245	0	0	_aExplorations in new cinema history : _bapproaches and case studies / _cedited by Richard Maltby, Daniel Biltereyst and Philippe Meers.
260			_aMalden, MA : _bWiley-Blackwell, _c2011.
300			_a1 online resource (xi, 335 pages) : _billustrations, map.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
520			_aExplorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema & rsquo;s audiences, the experience of cinema, and the cinema as a site of social and cultural exchange. Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among othersDevelops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over.
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction / Richard Maltby -- Methodologies : mapping cinema exhibition. Re-imagining the history of the experience of cinema in a post-moviegoing age / Robert C. Allen -- Putting cinema history on the map : using GIS to explore the spatiality of cinema / Jeffrey Klenotic -- Audience research & oral histories. What to do with cinema memory? / Annette Kuhn -- Social class, experiences of distinction and cinema in postwar Ghent / Daniel Biltereyst, Philippe Meers and Lies Van de Vijver -- Programming and popularity. Patterns in first-run and suburban filmgoing in Sydney in the mid-1930s / John Sedgwick -- Hollywood and its global audiences : a comparative study of the biggest box office hits in the US and outside the US since the 1970s / Peter Krämer -- Exhibition history as cinema history. From Hollywood to the garden suburb (and back to Hollywood) : studies in exhibition and distribution in Australia / Mike Walsh -- "No hits, no runs, just terrors" : exhibition, cultural distinctions and cult audiences at the Rialto Cinema in the 1930s and 1940s / Tim Snelson and Mark Jancovich -- Going underground with Manny Farber and Jonas Mekas : New York's subterranean film culture in the 1950s and 1960s / Peter Stanfield -- Searching for the Apollo : black moviegoing and its contexts in the small town U.S. South / Arthur Knight -- Blindsiding : theatre owners, political action and industrial change in Hollywood, 1975-1985 / Deron Overpeck -- Revisions : national cinema re-examined. The social Biograph : newspapers as archives of the regional mass market for movies / Paul Moore -- Distribution and exhibition in the Netherlands 1934-1936 / Clara Pafort-Overduin -- Film distribution in the diaspora : temporality, community and national cinema / Deb Verhoeven -- Reconsidering modernity and local cinema. Modernity for small town tastes : movies at the 1907 Cooperstown, New York, Centennial / Kathryn H. Fuller-Seeley -- Silent film genre, exhibition and audiences in South India /Stephen Hughes -- The last Bemboka picture show : 16mm cinema as rural community fundraiser in the 1950s / Kate Bowles.
588			_aDescription based on print version record.
650		0	_aMotion pictures _xHistory _y20th century.
650		0	_aMotion picture audiences.
650		0	_aMotion pictures _xDistribution.
650		0	_aMotion picture theaters.
650		0	_aMotion picture industry _xHistory _y20th century.
650		7	_aMotion picture audiences. _2fast _0(OCoLC)fst01027116
650		7	_aMotion picture industry. _2fast _0(OCoLC)fst01027150
650		7	_aMotion picture theaters. _2fast _0(OCoLC)fst01027261
650		7	_aMotion pictures _xDistribution. _2fast _0(OCoLC)fst01027315
650		4	_aFine Arts.
650		4	_aSocial Science.
648		7	_a1900-1999 _2fast
655		4	_aElectronic books.
655		7	_aHistory. _2fast _0(OCoLC)fst01411628
700	1		_aMaltby, Richard, _d1952- _eeditor.
700	1		_aBiltereyst, Daniël, _d1962- _eeditor.
700	1		_aMeers, Philippe, _eeditor.
776	0	8	_iPrint version: _tExplorations in new cinema history. _dMalden, MA : Wiley-Blackwell, 2011 _z9781405199490 _w(DLC) 2010051054 _w(OCoLC)692084803
856	4	0	_uhttp://onlinelibrary.wiley.com/book/10.1002/9781444396416 _zWiley Online Library [Free Download only for SUST IP]
938			_aEBL - Ebook Library _bEBLB _nEBL675183
938			_aYBP Library Services _bYANK _n3588316
994			_a92 _bDG1
999			_c62558 _d62558