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019 _a784887038
020 _a9781118274453
_q(electronic bk.)
020 _a1118274458
_q(electronic bk.)
020 _a9781118274477
_q(electronic bk.)
020 _a1118274474
_q(electronic bk.)
029 1 _aAU@
_b000049858909
029 1 _aNLGGC
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029 1 _aNLGGC
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029 1 _aNZ1
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035 _a(OCoLC)804860743
_z(OCoLC)784887038
037 _a10.1002/9781118274453
_bWiley InterScience
_nhttp://www3.interscience.wiley.com
050 4 _aPN1994
072 7 _aART
_x057000
_2bisacsh
072 7 _aPER
_x004040
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082 0 4 _a791.4309
_223
049 _aMAIN
245 0 2 _aA companion to early cinema /
_cedited by André Gaudreault, Nicolas Dulac, Santiago Hidalgo ; assisted by Pierre Chemartin.
260 _aHoboken :
_bJohn Wiley & Sons,
_c2012.
300 _a1 online resource (647 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
505 0 _aIntroduction / Nicolas Dulac, André Gaudreault, Santiago Hidalgo -- Early Cinema Cultures. The Culture Broth and the Froth of Cultures of So-called Early Cinema / André Gaudreault -- Toward A History Of Peep Practice / Erkki Huhtamo -- "We are Here and Not Here": Late Nineteenth Century Stage Magic and the Roots of Cinema in the Appearance (and Disappearance) of the Virtual Image / Tom Gunning -- The Féerie between Stage and Screen / Frank Kessler -- The Théâtrophone, an Anachronistic Hybrid Experiment or One of the First Immobile Traveler Devices? / Giusy Pisano -- The "Silent" Arts: Modern Pantomime and the Making of an Art Cinema in Belle Époque Paris: The Case of Georges Wague and Germaine Dulac / Tami Williams -- Early Cinema Discourses. First Discourses on Film and the Construction of a "Cinematic Episteme" / François Albera -- The Discourses of Art in Early Film, or, Why not Rancière? / Rob King -- Sensationalism and Early Cinema / Annemone Ligensa -- From Craft to Industry: Series and Serial Production Discourses and Practices in France / Laurent Le Forestier -- Awareness of Film, Language and Self in Early American Film Publications / Santiago Hidalgo -- Early Cinema and Film Theory / Roger Odin -- Early Cinema Forms. A Bunch of Violets / Ben Brewster -- Modernity Stops at Nothing: The American Chase Film and the Specter of Lynching / Jan Olsson -- "The Knowledge Which Comes in Pictures": Educational Films and Early Cinema Audiences / Jennifer Peterson -- Motion Picture Color and Pathé-Frères: The Aesthetic Consequences of Industrialization / Charles O'Brien -- Early Cinema Presentations. The European Fairground Cinema: (Re- )defining and (Re- )contextualizing the "Cinema of -- Attractions" / Joseph Garncarz -- Early Film Programs: an Overture, Five Acts, and an Interlude / Richard Abel -- "Half Real-Half Reel": Alternation Format Stage-and-Screen Hybrids / Gwendolyn Waltz -- Advance Newspaper Publicity for the Vitascope and the Mass Address of Cinema's Reading Public / Paul S. Moore -- Storefront Theater Advertising and the Evolution of the American Film Poster / Kathryn H. Fuller-Seeley -- Bound by Cinematic Chains: Film and Prisons during the Early Era / Alison Griffiths -- Early Cinema Identities. Anonymity: Uncredited and Unknown in Early Cinema / Jane M. Gaines -- The Invention of Cinematic Celebrity in Britain / -- Andrew shail -- the film lecturer / Germain Lacasse -- Richard Hoffman: A Collector's Archive / Richard Koszarski -- Early Cinema Recollections. Early Films in the Age of Content; or, "Cinema of Attractions" Pursued by Digital Means / Paolo Cherchi Usai -- Multiple Originals: The (Digital) Restoration and Exhibition of Early Films / Giovanna Fossati -- Pointing Forward, Looking Back: Reflexivity and Deixis in Early Cinema and Contemporary Installations / Nanna Verhoeff -- Is Nothing New? Turn of the Century Epistemes in Film History / Thomas Elsaesser.
520 _aAn authoritative and much-needed overview of the main issues in the field of early cinema from over 30 leading international scholars in the fieldFirst collection of its kind to offer in one reference: original theory, new research, and reviews of existing studies in the fieldFeatures over 30 original essays from some of the leading scholars in early cinema and Film Studies, including Tom Gunning, Jane Gaines, Richard Abel, Thomas Elsaesser, and Andř GaudreaultCaters to renewed interest in film studies & rsquo; historical methods, with strict analysis of multiple and competing sources, p.
588 0 _aPrint version record.
650 0 _aMotion pictures
_xHistory.
650 0 _aSilent films
_xHistory and criticism.
650 7 _aART
_xFilm & Video.
_2bisacsh
650 7 _aPERFORMING ARTS
_xFilm & Video
_xReference.
_2bisacsh
650 7 _aMotion pictures.
_2fast
_0(OCoLC)fst01027285
650 7 _aSilent films.
_2fast
_0(OCoLC)fst01118542
655 4 _aElectronic books.
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
655 7 _aHistory.
_2fast
_0(OCoLC)fst01411628
700 1 _aGaudreault, André.
700 1 _aDulac, Nicolas.
700 1 _aHidalgo, Santiago.
710 2 _aWiley InterScience (Online service)
776 0 8 _iPrint version:
_tCompanion to early cinema.
_dMalden : Wiley-Blackwell, 2012
_z9781444332315
_w(DLC) 2011048257
_w(OCoLC)762374589
856 4 0 _uhttp://onlinelibrary.wiley.com/book/10.1002/9781118274453
_zWiley Online Library [Free Download only for SUST IP]
938 _aEBL - Ebook Library
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938 _aEBSCOhost
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938 _aYBP Library Services
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938 _aYBP Library Services
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